| The reign of Wang Mang was a prosperous period of bronze mirror development,especially in the development of the Bo-Ju mirror.On the back of the bronze mirror,the pattern is rich,and the content of the inscription carries a rich history and culture,reflecting the specific cultural and social value of the people at that time.The study of the patterns and inscription on the back of the mirror in the Wang Mang period can be used to explore the pulse,cultural fashion and political activities of the people.On the back of the mirror mirror of Wang Mang’s mirror,there are mainly the four Gods,the immortal capable of flight and beasts.These divination combined with mystical Confucianist belief are used to signify the Yin and Yang and the auspiciousness.To create the theory of circulation of gold,wood,water,fire and earth Or as a propaganda tool.By distorting the natural phenomena and fabricating lies to produce all kinds of auspicious signs,it is used to create public opinion.In this social zeitgeist,the four Gods,the immortal capable of flight,beasts and so on are endowed with new meaning and It is widely used in the Bo-Ju mirror.Meanwhile,the inscription on the mirror reflects Confucianism.The mirror of Wang Wang’s period had special status and value.The four gods on the back of the Bo-Ju mirror began after a period of time in the eastern han dynasty,The dragon and tiger pull away from the four gods.Slowly,it became portrait mirrors and mirror with figures of deities and sacred animals.It laid the foundation for the development of the bronze mirror. |