The Role Of "Getao" And "Tuotao" In The Creation Of Chuanqi Of Ming And Qing Dynasties

In the context of the literary criticism of the Ming and Qing Dynasties,this paper selects the concepts of "Getao" and "Tuotao",puts them in the tradition of classical culture and opera,analyzes the cultural connotations and characteristics of them,concludes that the "Getao" in the legend of the Ming and Qing Dynasties refers to the patterns of narration and structure of the drama literature;and accent,clothing,comic and other aspects of performance."Tuotao" is a breakthrough in the already formed patterns.Any style has the "Getao";the reason why the legend is able to form a "Getao" lies in the existence of a keen on ancient works in Chinese culture,and some people participate in the creation.In the history of the legendary creation,Tang Xianzu laid a lot of "Getao",such as love can be devided into good and bad,good love based on the consciousness of appreciation,contains love between men and women.In the plot,the "portrait" and "view the portait" which originates from the Story of Lute shows new characteristic.The propositions of the "Tuotao" in legends emerged form the background of renaissance and anti-renaissance in ancient literature from the middle of the Ming Dynasty,which is also closely related to sensing the important of narration.The group of "Linchuan dramatists" inherits Tang Xianzu and presents varieties of understanding of Tang Xianzu.For example,Jiang Shiquan's Linchuan dream,which is based on the four dreams of Linchuan,inherits the characteristics of Tang Xianzu's plays in time and space structure,and begins to combined love with elegance.Wu Bing's imitation of Tang Xianzu is most obvious,but the plot of "portrait" has been adopted to express a deeper sense of the love.Finally,this paper concluded that "Getao" and "Tuotao" are the important artifice of legendary creation and help to opera creations nowadays.