The Study Of Japanese Beauty Consciousness Of Wakanroeishu

Wakanroeishu,compiled in the middle of the Heian dynasty,is the first part of Japan which combines Chinese poetry,Japanese Chinese poetry and Japanese harmony.At the same time,it is also a critical collection of literary criticism and aristocratic culture in the Heian Period.Its advent has opened up a new way of the collection and compilation of Japanese poetry.It is also an important page in the history of Japanese literature and culture.In the middle of the Heian Period,Japanese national consciousness has generally woken up,the publicity of the traditional culture and the "Japanization" of the Han and Tang culture became the mainstream of the literary world.In the form of compilation and the compilation of the anthology of Wakanroeishu,the literary view of maturity and independence at that time is obviously showing,and the admiration of the Japanese traditional beauty consciousness penetrated into the various aspects of the collection and compilation of the poetry.At the same time,as the product of Chinese and Japanese ancient literature and cultural integration,Wakanroeishu can be demonstrated successfully in dealing with the relationship between foreign culture and the traditional culture of the country.The idea of integration and integration provides a new way of thinking for the development of the world literature.This paper intend to start from the angle of Japanese aesthetic sense and regard Wakanroeishu as a complete work to carry out integrated and comprehensive researches.The specific contents are as following.This introduction part will briefly interpret reasons of this theme selection and its significance from aspects of special historical compile period of Wakanroeishu,its cross-cultural nature and values of Han ethnic culture integration on modern world literature development as well as introduce research status of Wakanroeishu at home and abroad and research thoughts and methods of this paper.Meanwhile,it also set forth the concept of aesthetic sense,the core topic of this paper.In the first chapter,this paper retrospects historical background of formation of Japanese aesthetic sense in Wakanroeishu and put compilation of Wakanroeishu in the overall Heian dynasty and the general background of cultural development and renaissance.Through teasing Japanese literature,it can be found that under overwhelming influence of Han ethnic culture in Heian dynasty,Japanese traditional literature with waka as the representative was developed,revived,integrated into Han ethnic literature and eventually formed the literature in Heian dynasty in full flourish.From the historical view,it reveals the rationality of Japanese aesthetic sense in Wakanroeishu.In the second chapter,this paper focus on emphasis of compilation form of Wakanroeishu.For collections of poems,their forms can similarly convey ideology tendency and literature awareness and impose certain constraints and influence on contents.The seized quantities on poets and poems in have indicated Wakanroeishu have indicated cultural confidence of the compiler to put Japanese literature in the same level as Han ethnic culture.Selection and arrangements of various categories are demonstrated Japanese season awareness and tendency of integrating exotic cultures.In the third chapter,this paper pays attention on content analysis of selected poems in Wakanroeishu and explore Japanese esthetic sense from chosen waka,Chinese poems and poetic prose.It involves Japanese traditional concept of nature and embodiment of aesthetic sense such as mono no aware,mystery and lingering charm under the influences of concept of nature.`Meanwhile,this paper will dig up demonstrated self-awareness as accepting and understanding Chinese poems and subjective intention of making Japanese literature and Chinese literature stand shoulder by shoulder.In the final chapter,as summarize influence of Wakanroeishu on subsequent literature,starting from historical origins of Chinese and Japanese culture,this paper emphasizes integration.In other words,integration is considered to become mutual characteristics of Chinese and Japanese culture development and then it draw the conclusion that in the modern era that globalization develops rapidly and various nations and ethnicity become more integrated,only actively treat exotic culture with the attitudes of opening and tolerant can a nation maintain conscience and uphold and carry forward national characteristics.