On The Idea Of Localization Of Chinese Conceptual Photography And Its Manifestations

Regarding the current status of concept photography in China,the concept not only expands the space for the expression of ideas,it injects new vitality into Chinese photography art,and it is critical to social reality.Therefore,the existence of Chinese concept photography has developed.The art of photography has promoted the interaction of Chinese photography with Western art in a diverse cultural context,which in turn has promoted the overall level of Chinese photography development.While the initial concept photography in China came from the West and was constrained by Western culture,the development of conceptual art in China played down the “locality” problem.This topic is based on the problems that have arisen in the development of Chinese conceptual photography,expounds the contemporary significance of insisting on the “localization” of creative ideas and their expressions,and dialectically points out the need for multiple symbiosis between Chinese native culture and Western art.Based on detailed information,the topic explores the expression of concept photography in the context of localization—documentation,home shooting,embezzlement,sampling and collage,digital media,etc.,as well as the creative ideas and methods of expressing social reality to study the desired topics.He has made his own contributions to the development of China’s concept photography “localization” and contributed to the development of Chinese photography.