Localization Of Chinese Contemporary Conceptual Photography Dilemma And Countermeasures

Conceptual photography is one of our country in recent years, very active in the fieldof contemporary art artistic phenomenon, much domestic and foreign galleries,collectors, museums and art critics attention. Since the conceptual photography intoChina since the late1980s, in the process of development by the influence ofwestern modern art concepts and changing the mid-1990s began to take shape andall the rage in the field of art, there has been engaged in numerous Artist conceptphotography conceptual photography and creative.For China, a photographic technique incoming countries, the concept ofphotography in the development process will inevitably largely unintentionalconceived the idea of the West, showing the way to imitate. Of course, in thecontext of national cultural consciousness, this over-performance from concept toimitate, learn Western ways, resulting in a conceptual photography in the country ’sinability to adapt and rise to a series of questions, namely "localization dilemma."Therefore, this article attempts to our conceptual photography emerged in thedevelopment process as the starting point to the basic concepts of conceptualphotography connotation as a guide, combined with the development of conceptualphotography in the country of some of the problems and difficulties, explorestrategies to break this predicament.