A Study Of Chinese Genghis Khan Movies

As a great military strategist and politician in the history of mankind,Borg Keung Temujin has always been known as "a generation of great pride Genghis Khan" and has become a popular subject for Chinese and foreign film artists.For a long time,the whole research and comparative study of Genghis Khan's film in academic circles is still lacking.As far as the narrative mode is concerned,the history of the long-suffering hero,the love-hate interwoven emotional entanglements,and the war to unify Mongolia are the more fixed narrative program of the film.As far as mirror representation is concerned,the magnificent environment space,the nomadic people's customs,the intense war wonders are also the essential type elements of such films.Although the Genghis Khan film shows the overall typological characteristics,by comparing the three works of Genghis Khan,a generation of celestial pride Genghis Khan,and the Mongolian King,we can find the difference in the theme of each work.Due to the differences of the national identity,Genghis Khan is a kind of other kind of dispassionate and objective reproduction of history,while Genghis Khan is trying to interpret or construct the historical legend of his own nation.Both Genghis Khan and Genghis Khan are full of a strong sense of national unity,while Mongol King,which is co-produced by Russia and other countries,is full of suffering complex and religious immersion.If "Genghis Khan" is the image expression of the National renaissance in the new era,then "Stop Killing Order" is the product of the peace concept in the context of "Belt and Road".