| The polyphonic folk song “Liao Song”,which exists in Pingguo County,Mashan County,Tiandong County and other places in the Guangxi Zhuang Autonomous Region,is an ancient folk culture of Zhuang Nationality.The locals call it “fwen liuz”.The time-honored Liao Song records all aspects of people’s lives,and expresses the essence of the Zhuang Nationality.People exchange their thoughts and feelings,and express happiness and sorrow,through the sincere and moving melody of Liao Song.With the changes of the times,the survival environment of Liao song has changed.There has been no inheritor of Liao Song since it was incorporated into the list of intangible cultural heritage in 2008.To solve the predicament,the Training Center for Liao Song was established in Pingguo County.Additionally,the local famous folk singers are applying for the inheritors of China’s intangible cultural heritage.Since July 2016,the author has conducted several field trips in the cradlel and prevailing place of Liao Song,to interview local folk singers,research institutes and officials in Pingguo County,to collect the dictating information concerning of personal learning experiences,acting careers,social status and other contents talked by folk singers,and to make audio and video recordings of several songs sung by folk singers of Liao Song.The author adopts the musicology analysis method and the musical morphology analysis approach,refers to the concept of the relationship between tunes and lyrics proposed by Mr.Yu Huiyong and the research on “tunes,lyrics,sounds and tones”,and cites the concept of “lyrics and melody structure” to analyze the relationship between tunes and lyrics of Liao Song.This thesis consists of two chapters,with introductions and conclusions.The first chapter is the analysis of the tonality relationship between tunes and lyrics of Liao Song.The second chapter is the analysis of the lyrics and melody structure of Liao Song.Based on the further summary and discussion of the structure of lyric and tune and the analysis of the relation between the tone and the words,this chapter analyzes musical principles and aesthetic features reflected by morphological features of the folk song of Zhuang minority in the theoretical high degree... |
