The Siping Melody Of Lv Opera Is A Reflection Of 'One Tune Multi-varied' About Tradition Music

Lv opera is most representative of the traditional operas in Shandong Province and also has significant influences on all types of traditional operas in China.In accordance with the attribution of “one tune Multi-Varied” of traditional mucic,this thesis focused on four aspects of Siping melody which is the main cavity of Lv opera.Firstly,the evolution of Siping from [Mengjiangnv],[Fengyangge ] to [Siping].Secondly,the system of ‘Siping Ban-Qiang'and all forms of performance based on it.Thirdly,the development and changes of the application of Siping.Fourthly,the reference and absorption in the process of formation and development of Siping.The Siping melody,which came into being as a small branch of folk songs,had already developed into the main aria in traditional opera,which furthermore becomes a systematic and constantly growing drama opera,this process is quite typical in the history of Chinese Traditional Music.The development of Siping Melody involved the trans-regional spreading of folk songs,the evolution from folk songs to Quyi,and the formation of Opera music which is the final accomplishment of the aforementioned process.Almost every kinds of progress and evolvement of all traditional operas could find the similar development rules in the history of Siping melody.Unlike the Upper-to-lower sentence system of the other ordinary Ban-Qiang musics,Siping melody changes the Xiqu Rhythm on the basis of the four-sentence structure;Siping aria does not only possesses a complete and stable Ban-qiang system,but also could adapt itself to the different needs of performance.In conclusion,Siping aira of Lv opera is a highly representive and typical model of ‘one tune multi-varied” traditional music,which could help us to comprehend the relevant fields one step further.