Composition And Implication Of Sanyu Paint

Sanyu painting is one of the wonders of the painting of the twentieth century Chinese.Sanyu,together with Zao,met in Paris to create his paintings around Paris in the twentieth century to build a monument to Chinese culture.In recent years,as people have become aware of the value and historical contribution of Sanyu's painting there has been an increase in economic value and his art has also been sought after for studying.Sanyu's paintings express a close association with the visual style of painting and Chinese calligraphy but there is a lack of internal consistency of this association.This paper will attempt to explore this theory from the perspective of the drawings in this issue.Sanyu's temperament from the point of view of him not being a conformist artist,but also not being a traditionalist painter;his painting are more whims and improvised tools to express his emotion or mood.It seems that there is no direct relationship between his work and the drawings,and the model reference.However,behind this impromptu writing,it is the mother of his own deep cultural identity and nostalgia and it develops its own cultural property to his unique artistic personality pursuit.In such a frame of mind and environment,combined withSanyu's unconscious use of the East-West schema language the focus of this article with reflect on the schema language Sanyu works within.In this paper,the whole article is divided into four parts,the preamble of the first article,introduces the relevant research background;part of the second dielectric a Sanyu artistic life and it involves arts;Part three speaks to Sanyu's Western schemata in Paris Impact.The fourth part from Sanyu painting and Chinese calligraphy and painting schema Information to be discussed.The fifth Sanyu painting creation inspiration to me.