Shanxi Lingshi Zishousi Surface Painting Composition Relation With The Gods

Taking ZiShouSi fresco as the research object,focus on research and analysis ZiShouSi amphibious temple murals.In this paper,through a large number of reading and collecting data from shanxi temples mural on the background of the formation and development represent the jinzhong area temple ones ZiShouSi murals,gradually myfield one layer in-depth analysis;And from surface painting,surface can,the amphibious beings origin and development,the development of buddhist painting in China in the formation of ZiShouSi surface painting,follow the rituals of comparison and analysis for ZiShouSi surface painting;Through on-the-spot investigation,read the inscription,peripheral visits,methods of photograph,to detailed s ZiShouSi mural pictures,images,combined with the professional aesthetic thought,painting techniques such as arrangement of the relations between the gods of ZiShouSi murals of composition,plot analysis and aesthetic and art characteristic(line drawings,color,composition)were discussed and fastidious.ZiShouSi may is the end of the yuan Ming,draw s experience after the generation of painting.Ursa murals painted subjects for the medicine guru Buddha Buddha will figure and the flaming light Buddha Buddha will figure in the yuan and Ming temple ones popular topics based on and embodies some new changes.Land and water in north temple murals gods and the image reflects the popular basic rituals and surface painting image system,also reflects the local water and land the brother of the specific situation and differences of faith.ZiShouSi murals in line use,image creation,have their own characteristics in such aspects as the overall effect,is worth to summarize and study.