A Study Of Multi-Temporal Composition In Digital Painting ——Illustrated By The Case Of Dunhuang Benevolent Karma Murals

Composition plays an important role in painting and plays an important role in the overall control of the picture.This article from the perspective of traditional composition,on both sides of Chinese and western traditional painting composition form and law of comb,and through combining with concrete digital paintings analysis and argumentation,points out that the main form of the current Chinese figure painting composition has been using the composition of traditional western law,it is the leading cause of China’s digital painting art style and national characteristics of one of the reasons for the sharp enough.As a painting form containing profound Chinese cultural tradition,the dunhuang Murals of Bensheng and Destiny have a strong narrative and space for multiple plots.This is a good way to change the current digital painting composition form and solve the weak national style.This paper first summarizes the composition of digital painting,points out some artistic style problems in the composition of current Chinese digital painting,and proposes a solution that is to learn the composition form of Dunhuang Bunsen and Inyuan murals.In the following part,it demonstrates the existence of space construction in traditional Chinese painting by enumerating the different viewpoints of various scholars on space construction in traditional Chinese painting.Based on the theory of space construction in traditional Chinese painting,this paper expounds the multi-space-time composition.And then how to apply it in digital painting.Finally,the feasibility of multi-time-space composition applied to digital painting is proved by practical operation.