| The Alxa Palace is also known as “The Prince’s Palace of Alxa Heshuote Banner”.It is located in the ancient city of Dingyuanying,Alxa Left Banner,Inner Mongolia.It was built in 1732.It is one of the few fully preserved Mongolian palaces in Inner Mongolia.one.As a special building group closely related to the imperial court in ancient China,the Alxa Palace is a collection of ceremonial systems and patriarchal systems in feudal society.Its architectural scale is grand and its architectural layout is neat.It has a progressive combination of spaces and rich and colorful carvings.Painted,with obvious regional characteristics and ethnic characteristics,it is a precious cultural relic of the multicultural integration of Manchu,Mongolian,Han,Tibetan and Hui.It is not only the historical and cultural witness of the Qing Dynasty and the AlxaMongolian Union,but also a direct reflection of the unique aesthetic appeal and spiritual pursuit of the Alxa and Shuote Mongolian aristocracy,and occupies an important position in the history of ancient Chinese architecture.It was announced as a key cultural relics protection unit in the autonomous region in 1996.This article takes the architectural community of Alashan Palace in Inner Mongolia as the research object,and analyzes and studies its architectural decoration art.This article uses the methods of document collection,data review,field research,etc.,based on a brief analysis of the social,political,and cultural background of the Alxa Mansion,and analyzes its impact on the integration of multiculturalism in a specific historical period.This article analyzes and summarizes the issues of Wangfu’s architectural characteristics,decorative patterns,artistic features and cultural heritage.This article is divided into three parts.The first part is the introduction,which is the first chapter of this article.It focuses on the background,significance and purpose of research,research content,literature review,research methods,research innovations anddifficulties in this article.The second part is the main body of this article,mainly on the basis of field investigation and literature,it analyzes and studies the decorative art of Alxa Mansion,studies the artistic characteristics and cultural connotation contained in it,and discusses the artistic connotation and Inheritance of cultural spirit.The main body is divided into four chapters,which are the second,third,fourth and fifth chapters of this article.The second chapter is to explain the historical background,the shape of the building and the general situation of architectural decoration art.The third chapter is to summarize the building decoration components such as the roof,roof,doors,windows and base of Alxa Palace.The fourth chapter analyzes the functions,forms,materials and skills of Wangfu architectural decoration art,sums up Wangfu architectural decoration art practical and aesthetic decoration design,follows the natural decoration selection criteria,seeks balanced decorative shapes in symmetry,and multicultural Artistic features of the fusion decoration style.The fifth chapter discusses and puts forward the cultural inheritance methods applicable to the architectural decoration art of Alxa Palace from the perspective of cultural inheritance.Thepurpose of analyzing the architectural decoration art of Alashan Palace is to theoretically reveal the cultural connotation and aesthetic value contained in the architectural decoration art of Alashan Palace.The third part is the conclusion of this article.It summarizes the central content of the paper as a whole.deeply excavates and refines the multicultural elements and aesthetic connotations contained in these ancient buildings,and increases the traditional Chinese decorative arts,especially The understanding of the layout,relief,color painting,modeling,color and unique style of the decorative arts of the royal palace in Inner Mongolia has positive significance for the deeper research of the decorative arts of the royal palace in Mongolia in the future. |
