Research On The Expression Of "Spatial Context" In The Design Of Ding Porcelain Pavilion

As a heritage of history and culture,the pavilion shows people the change of history,shows the connotation of a city's history and culture,and is a translator who shows the development of the city.From the appearance of the exhibition hall to the growth of the exhibition hall,the traditional culture is gradually integrated into the life of the exhibition hall.Especially after the Shanghai World Expo,the development of the exhibition hall is extremely rapid,in just ten years,the new situation,New technologies are constantly being introduced into the pavilion.However,the rapid development of the exhibition hall in recent years has also caused some drawbacks,hindering the growth of the exhibition hall and becoming a problem that needs to be solved now.This shows that the development and design of the pavilion has become more and more important.This study takes the performance study of “spatial context” in the design of the porcelain exhibition hall as an example,and combs the theoretical structure through field research,historical analysis,literature research,summary induction and other methods.The first part is mainly the display and description of this design,which is divided into rendering design,floor plan design,detail analysis chart,process record photo,process sketch,design draft,and so on.A more intuitive interpretation of this design.The second part is to demonstrate the current problems in the design of the professional field,the new needs of social development,and the specific needs of the target.The concept of “spatial context” in Ding porcelain pavilion is elaborated,and detailed demonstration of spatial semantics is carried out.The "context" and "space" are explained separately,which makes the theoretical basis of this paper have a scientific argument.It is mainly divided into design analysis,application analysis,lighting design and material selection of performance research in "spatial context".The spatial planning and spatial layout of the Ding Porcelain Exhibition Hall are all refined from the shape of the porcelain itself.Comparing the traditional exhibition hall display mode with the modern exhibition hall display mode for the dissemination of porcelain,the porcelain exhibition hall should use spatial semantics to meet the physical and psychological needs of visitors.This design is intended to reflect the spatialization of space for the development direction of the pavilion.The focus is on letting the porcelain "talk" to the visitors in the scene,letting the porcelain "live",having affinity and persuasion,is a kind of information that does not require too much language,and visitors can understand the information to be conveyed by the porcelain.And can interact with the visitors in the language,so that visitors can feel the language and emotion of the porcelain in the exhibition space,and draw closer to the porcelain.To this end,the essence of the porcelain is deeply explored,and the historical evolution,characteristics,patterns,etc.are analyzed,and the traditional ideas and national spirits conveyed by the porcelain in the exhibition hall are discussed.By studying a large number of documents,combining their design concepts with actual conditions,we can achieve a better inheritance of our traditional culture and make our nation cohesive and creative.