Application Research Of Traditional Symbols In New Chinese Style Landscape

Today is the best time to revive traditional culture.More and more people pay attention to,love and participate in the revival of traditional culture.In 2005,the birth of Shenzhen Vanke Fifth Garden enabled the Chinese people to fully release their feelings of “home”.The “new Chinese” landscape design was also brought to the forefront and gradually entered the stage of the Chinese landscape design industry.However,the development of “new Chinese” landscape design in China is still not very smooth.The reason is that the theoretical system is not perfect,and the successful cases that can be borrowed are limited.For example,the excavation and in-depth exploration of the culture of “New Chinese” has led to the cultural connotation and application form are single and lack of beauty in the design of landscapes,the similarities appeared in the design,the phenomenon of monotony is serious,and the features are not prominent.Therefore,in order to explore,interpret and express the “new Chinese” landscape,and can better integrate cultural features in the design.This thesis studies the theory of “new Chinese” landscape design from the perspective of semiotics.Through the interpretation of the new Chinese landscape,the source,type,application principle,carrier expression of the symbols in the new Chinese landscape,as well as the study of the characteristics of the new Chinese landscape symbols and the refinement of symbols,etc.It also summarizes the problems encountered in the expression of new Chinese landscape symbols,and puts forward some relevant theories and methods in the new Chinese landscape design.In order to provide theoretical basis and guidance for the new Chinese landscape design.Finally,the paper applies the research results to the practice of Ruzhou Kaide Community.