Comprehensive Treatment:The Landscape Concept Of Tang Dynasty Garden For Bai Juyi

Is turning period in the development of Chinese classical garden art in the Tang dynasty,literati class actively participate in gardening activities for garden art into the profound cultural connotation,on the basis of the generated aesthetic view and the spatial cognition is the main content of its rheology.Bai Juyi as the Tang dynasty as the typical representative of intellectuals and spiritual leader," A natural and unrestrained life " landscape become to general principle of doing things and life ideal.Its unique landscape architecture practice in conveying the concept of landscape at the same time,also for us to draw the outline of the Tang dynasty rose from the cremation garden as a whole.This paper focuses on exploring Bai Juyi attainments in "landscape",makes every effort to restore the image of a real landscape artist.Total is divided into two parts: the content,redefines the "Bai Juyi Complete Works"," Poetry in Tang ","Bai Juyi Age Confirming of Life"," Tang Records"," City of Changan and Luoyang Test in Tang Dynasty " and other local history involves gardens or Bai Juyi personal content of the ancient as the background,combed,extraction factor of landscape architecture.Trying to parse garden landscape background of the Tang dynasty and in civilian life roles.Next in Bai Juyi's gardening ideas,gardening practices,aesthetic tendency for detail discussion.Summarizes the experience and knowledge of Bai Juyi creates garden art.Method,on the last quote,textual research;The next analysis and contrast,class.Paper the origin of the first chapter describes the topic of this article referred to the key words to do the connotation is clear,and emphasizes the necessity of the research.The second chapter extracted Bai Juyi poetry contained in the content of the "garden",the emphasis is on the landscape poems in the home garden examples of textual research,basic data for further analysis of below reserves.The third chapter combination of Bai Juyi's life experience sum up the life cycle of the literati in connection with the "garden".The fourth chapter is the handover of the transition section.The author in Bai Juyi landscape poetry words carry their original ideas of "garden",the time background of penetration was at the same time.Focuses on from the Angle of space put forward the "garden" has its wider outside edge,the generally recognized by the academic circles of the Tang dynasty "pot" doubt,try to choose a more accurate spatial imagery.Chapter 5 for the peace period,the concentrated reflection of the journal of gardening book's back as a court,Bai Juyi and even in the real appearance of Tang landscape gardening.The sixth chapter specific explanation Bai landscape in the process of the object of aesthetic conveys "beauty","the beauty of the pavilion," the beauty of land ",will be the language of poetry theoretical.At the same time found to "stall" space aesthetic imagery as garden suitable outcomes.The debate about the size of the seventh chapter of Bai Juyi in garden-making practice view of the garden of intuitive graphical expression.The last part,from Bai Juyi personal assessment and its attitude towards landscape two aspects to summarize as a whole.