The Study Of The Mount Wuyi Architectural Form Of Language Which Bases On The Perspective Of Folk Art

The building in the region of Mount Wuyi is the materialization of its traditional social and historical records,and it is also an important part of Mount Wuyi’s material heritage,which has the profound historical value,cultural value,artistic value and scientific value.There are many different kinds of folk art in the region of Mount Wuyi.The architectural characteristic is the map of the life style who live in this area,concept of creation,folk beliefs and customs,civil society organizations.In this paper,we base on the perspective of folk art,and we have a further analysis of typical characteristic of architectural category and the pattern of manifestation in Mount Wuyi.By an in-depth study of the culture of Fujian and east Zhejiang,immigrant culture of Central China and the culture of Confucianism,Buddhism and Taoism.We finally got a conclusion that regional architecture is the most magnificent chapter in the culture of Mount Wuyi.The layout of building,space structure,construction method,the external form and architectural decoration are closely related with the local folk art.The traditional craftsmanship,folk psychology and the dark and unknown folk taboo and industry rules which are contained in the folk art are full of the spirit of building space,and they construct together to be the unique architectural form of language of Mount Wuyi.Study the folk art in Mount Wuyi,knowing the development of its construction and understanding correctly of its folk art creation activity and the development and change rule and the relationship between architectural form of language,and understand and analyze its folk art and the regional architecture which are under the background of real society.Under the background of dual world heritage of culture,on the one hand,the research on construction of area Mount Wuyi is to provide theoretical basis and academic support for its building’s protection and development.On the other hand,it is also to give reasonable suggestions for the protective development of its folk art heritage,and arouse more and more people to concerned about the regional architecture and to participate in the research of regional architecture and conservation work,improving our responsibility of culture.