An Analysis Of Xu Beihong's Book Theory

During the period of the republic of China in the late qing dynasty,because of the rise ofcalligraphy stone inscription rubbings,emerge a batch of calligraphy,for their research sofar is immense,and all of them,xu beihong,the achievements of calligraphy is mask fortheir education,painting and so on various aspects,the academic circles on thecalligraphy research is few.Xu beihong's calligraphy thought is the main content of "virtue","love","shape","make turn" and the relationship between them.In the aspect of calligraphy practice,corresponding to its calligraphic thought,its overall pursuit is "the virtue of moderation",and the specific method is to grasp and apply the "positive change" and "qizheng" of"shape".Because of its grasp and application of "positive change" and"qi",the works inthe middle and late stage show the peculiar phenomenon of the style.Xu beihongrelations between calligraphy thought and practice,"DE","emotion","form","to turn" asthe main content of his calligraphy thought,in practice,"DE" and "shape" relationship in"all subtle,to the general" "positive change" and "leader" of each other,and through the"turn to" make the main body "the sentiment" preach.Xu beihong's theory of calligraphy includes calligraphy ideas,and the theory of thisbook is further developed in combination with the theory of book learning from ruan yuanand bao shichen to kang youwei.Studying xu beihong's book theory,exploring thecalligraphy thought and contacting with its practice,can provide valuable historicalexperience to the current book learning;In addition because of xu beihong image ofcalligraphy and painting artistic value are unified in the study on literature,in the contextof the exchanges of Chinese and western,to "painting and calligraphy seal" the classicalproposition inspired new interpretation will also play a role.