Research On The Traditional Repertoire Of Zhuang Opera In The North Road

Zhuang drama is an ancient drama with regional and ethnic characteristics.It rooted in the Zhuang nationality region,and is one of the typical representatives of Zhuang folk culture.According to Zhuang language dialect,music singing,performance style and other aspects of the difference,the Zhuang drama can be divided into South Zhuang drama,North Zhuang drama,Shigong drama,Fu Ning drama,Guangnan drama and so on.Among them,the North Zhuang drama uses the northern dialect of Zhuang language to sing,and it is the most complete development among them.The main object of this paper is the traditional repertoire of the North Zhuang drama in Tianlin County,Guangxi.The origin of the North Zhuang drama in the folk with different voices.According to relevant information,"Tian Lin version" is widely recognized by academics.The North Zhuang drama germinated in the Ming Dynasty,and took shape during the Qing Dynasty.It has had a history of over 300 years.Tianlin County's unique natural environment and human environment have had a significant impact on its production and transmission.After the inheritance and efforts of the ten generations of artists,the North Zhuang drama,represented by Tianlin Zhuang drama,has reached a high level in the drama of ethnic minorities in China.On the one hand,the traditional culture and folk customs of the Zhuang nationality are integrated into the drama performance,on the other hand it actively to adapt to the audience's aesthetic psychology and aesthetic taste.The North Zhuang drama created a series of different repertoires,including love-and-marriage drama,ethics drama,historical drama,mythical drama and so on.It plays an important role in entertainment,education,cognitive function.But with the continuous development of social economy,the art of Zhuang drama has also been hit and challenged.In 2006,the Zhuang drama was included in the first batch of national intangible cultural heritage protection list.This is the emphasis on Zhuang drama,but also the concerns about its current situation.Tianlin county government and the masses to actively respond to the call of the state,to hold the North Zhuang drama festival from 2007,attracting drama troupes from all over Guangxi.Under the support of all parties,the protection,development and research work of the North Zhuang drama is moving forward.On the basis of the first-hand information obtained from the field investigation,this paper explores the characteristics of the traditional repertoire and the text of the North Zhuang drama from the literary point of the script,and puts it in the view of folklore.This paper also reveals the connotation and folk culture in the traditional repertoire of the North Zhuang drama.It provides some theoretical support and reference for the production of the script and the development of the North Zhuang drama.There are four parts in this paper.The first chapter combs the process of the formation and development of the North Zhuang drama,and discusses its living environment,performing arts and the existing text form.The second chapter first discusses the source of the traditional repertoire of the North Zhuang drama,and then makes a detailed classification of the traditional repertoire of it.The third chapter analysis of the drama from the content of the story,plot structure,character appearance,character portrayal,the lyrics of the narrative and narrative perspective.In the fourth chapter,combining the knowledge of folklore,this paper analyzes the folk ideological tendencies contained in the traditional repertoire of the North Zhuang drama,excavates the folk customs hidden in the repertoire,and analyzes the social function of the North Zhuang drama in the folk.