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See The Fusion Of Painting And Installation From Shi Chong's "Landscape Today"

Posted on:2017-01-13Degree:MasterType:Thesis
Country:ChinaCandidate:H ChangFull Text:PDF
GTID:2355330512960499Subject:Arts
Abstract/Summary:PDF Full Text Request
The last century eight, in the 1990s, Chinese art by foreign fashion art form, the landscape of today this style unique works of art. The works with the device of the image presented in the paintings, this form has inspired the author to innovation in the form of a painting for the purpose, works in painting and installation of fusion is studied. The fusion of discussion on the device of painting effect and device performance of language with the painting form and find the possibility in the oil painting creation concepts to convey the manner and form innovation, new visual experience possible formation. In the analysis of installation art localization at the same time, enlightenment we in the frame of the painting to good at absorbing device, image and other new art forms, also involved in real life thinking of the contemporary painting has more profound concepts to convey and rich artistic expression.The thesis consists of five chapters, which are divided into four parts. The first chapter is the first part of this paper, which mainly describes the background, current situation, the main content and purpose of this thesis. Intersection and leads to the change of affected, followed by the introduction of reading the second chapter is the second part, based on a large number of books, journals and other information to Shi Chong "today's landscape paintings of device elements as a clue, the first is a summary of the nineties paintings of development and reform, explain the painting wanted to be close to life, the absorption of foreign art of desire, and the photo realism and influence the comb, finishing the installation art in China after the development process, and focus on installation art of the Chinese way "to do a detailed analysis of the painting in the creation idea and form background painting device for the inevitable. The third chapter is the third part of the article, mainly through the description of the landscape of today art form and style, analysis it is very realistic painting style and image device performance elements. Through the comparison between their language characteristics, material characteristics, production methods and environmental conditions, combined with the analysis of the similar works of art, is painting and device context conversion until fusion process. And through the above analysis of the argument of the "landscape" of the integration, as well as the extension of other styles. The fourth chapter is the fourth part of the article, this chapter mainly discusses from the works of today launched the association, including the works to breakthrough the traditional forms of, through this device as a concept of figurative present form in Shi Chong's painting, extended contemporary art to the concept for the first feature, demonstration of painting and installation fusion form conforms to the expression of content of time concept. Then on the "new painting" in the installation of the language of the cross-border integration of painting and painting in the form of the integration of the show to start the association, and finally elaborated on the form of my oil painting inspired by the creation of art. The fifth chapter is the conclusion is the summary of the full text, on the development of Chinese contemporary art of imagination and prospect, pointed out the direction for the ideal of art in the future.
Keywords/Search Tags:"Today's landscape", Fusion device and painting, Easel painting Merge
PDF Full Text Request
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