Meaning And Form In Landscape Painting

This thesis is mainly based on my study experience of postgraduate study and painting research of graduation creation,analyzes the "beauty of artistic conception" under the oriental aesthetic and the "natural reproduction" under the western aesthetic,and discusses and studies Chinese landscape painting and The road to the fusion of two different artistic expressions of western traditional oil painting landscape.The pursuit of symbolism in artistic conception in Chinese paintings,including "infinite opinions beyond words","images outside the image","flavors outside the taste",etc.,has made painters strive to find expressions of "intention" in painting.Western painting follows a calm and objective artistic attitude,focusing on depicting the "shape" of objective objects,and strives to achieve a realistic reproduction of natural painting effects.Here,how to integrate the "meaning" in Chinese landscape painting with the "shape" in traditional Western landscape painting is a subject worthy of constant research.At present,many painting styles have unremitting researchers in all directions.The combination of "meaning" and "shape" in landscape painting,the trueness of the painter’s soul,the exploration of the artistic conception and the re-creation of shape still have their research significance..The exploration achievements of several painting masters who blended the essence of Chinese and Western paintings also illuminate the bright lights on the way forward for the fusion of Chinese and Western paintings.