On The Cognitive Value Of Mistakes In The Creation Of Paintings

The painting is a process of creation,the artist first formed his own intentions or ideas,and then with the help of the painting behavior will experience or reality of objective things into with intent or concept consistent state,finally outside in a material carrier.Experience has a long history in the history of mankind.The artist's painting cannot do without the creative subject of experience to grasp,then use experience to interpret the creative object "object".Experience in the background,the artist for the "objects" of the interpretation process to produce this kind of misunderstanding and misreading.The original interpretation of the "objects" are irreconcilable,but rich misreading the ontological value of "things".It provides more possibilities for our artistic creation.This paper combines specific artist's painting creation process,through literature research,understand and redefine the experience of painting,painting,concept of Misreading and the "object" and "object".Experience in the history of philosophy has always been a philosopher to explore and study the proposition,will in painting in the proposition of misreading.Highlight these three unique possibilities.A misreading and "object",many literatures abroad,while the domestic is relatively scarce.The conclusions of this paper are: the experience in the painting can be practical and feasible,a misreading of the "object" to promote the artist the definition of "material",Increase the concept of "thing",but also enrich the ontological value of "thing",finally make us closer to the "object" of truth.For the painting,but not all of the experience of "matter" cognition is valuable.This paper is divided into four parts,the first part introduces the concept and experience of "things" and rethink the painting in the experience will be divided into physical experience and psychological experience.The second part discusses the concept and the formation of interpretation and experience of misreading of "things",through the artist's works of Art to explore different experience the interpretation of the "thing",and the resulting misreading.The third part describes the result of misunderstanding,not completely misreading criticism,but to explore the possibility of misreading.The fourth part describes how to use the misreading,misreading the creation value in the painting.The essence of art is the truth,the artist's experience of Misreading "the thing" At the same time,it makes us closer to the essence of art.