"Ink" Has The Experience Of Bone In My Creation

About?The experience of traditional boneless painting works in my creation?in my research I found that the boneless painting can also be referred to as the "ink" bone,the ink here not only color,understood as ink.Boneless painting in ink or pen and ink spirit different to manifestations of Chinese painting,weakened or attachment in color to the formation of the unique artistic characteristics,which is the direction of my research,bearing the ancient innovation,in the new change.In this paper,by the creation of encountered problems as the starting point of this paper,do concrete analysis of concrete problems,in this paper sorted out a context,from the perspective of historical time look at traditional boneless painting works techniques of meta development has been extended to the pursuit of modern boneless painting works painting,so that the Chinese painting this ancient art form in today's era of replay extraordinary spend.The first part: introduction,mainly describe the topics of the reason,creative direction and ideas and main to traditional boneless painting through the beginning of research and study.The second part: traditional boneless painting on spirit and knowledge,mainly discusses the traditional boneless painting in what form to show bone pen in which the use of.The third part: from "simple" to "brilliant" traditional boneless painting works era,techniques of breakthrough and transcendence is the essence of modern traditional boneless painting,mainly discusses the traditionally traditional boneless painting works creation everyone traditional boneless painting techniques and development and creation I met about technique and the difficulties of the Mr.Tian To my learning effects of traditional boneless painting.The fourth part: Modern traditional boneless painting "monologue" and I wrote in reference to enlightenment "objective" and "consciousness" a creative ideas.This paper mainly discusses the I traditional boneless painting feelings for learning and respect the performance of traditional painting and respect the importance of traditional painting to the creation of the modern.The fifth part: the conclusion of this paper and thanks.