An Analysis Of The Creation Of The "Dancing Fire Dog" Stage Of The Lantian Yao People In Longmen, Guangdong

"Wu huo gou" financial sacrifice, ceremony, festival and dance as a whole is integration of our country only totem worship and the maiden adult ceremony of folk activities, also in Guangdong Longmen Lantian Yao unique intangible cultural heritage. "Wu huo gou" is not only Hakka intangible cultural heritage and Yao intangible cultural heritage, in 2006 was included in Guangdong Province, the first batch of provincial intangible cultural heritage.This paper takes the " Wu huo gou" ontology as a breakthrough. First, in order to study the vertical, " Wu huo gou" duration of natural ecological environment and cultural ecological environment of interpretation, leads to "Wu huo gou" in natural ecological environment as the background of the formation of the original ecological folk dance form, to discuss "Wu huo gou" formation and geography and culture, there is a close relationship. Based on the humanistic environment, the cultural connotation and function of " Wu huo gou". Secondly, horizontal research, to "Wu huo gou" when the art form to present research text. On the one hand to " Wu huo gou" folk art form as the research object, through field investigation, from the private collection and fire dog "material of dance dance of" original ecological finishing. Analysis the artistic styles and characteristics, action elements, costumes, props, music and other. On the other hand, from the teaching form and stage art form research, thinking of the times in the process of "Wu huo gou" inheritance and innovation of the development of the problem. In order to make the " Wu huo gou" has a long history, and is helpful to improve the ability of the dance stage according to the creation of folk dance. Finally, through case study and the author’s involvement in the stage of creation practice, more real, accurate to the creation of " Wu huo gou" stage of. And from different levels in the face of the original eco folk dance and stage of creating works of art were compared and analyzed, to explore, refining and sorted out to dance " Wu huo gou" inheritance and development of the road. The author hope can through writing this paper, raise the dancers of “Wu huo gou” dance stage creation practice ability, but also for the dance the inheritance and development of the “Wu huo gou ”to contribute.