The Function Of The Performance Of Chinese Classical Dance And The Performance Of The Stage Performance

As the core curriculum and body language mechanism Chinese classical subjects, it has completed the basic requirements for dancers training,training style, this is China classical dance from the opera, martial arts in the reference section, the body was refined with the training requirements, changing its form, the young god, formed its own logo style characteristics and movement rules, to complete the primary orientation of the self transformation of the body; after the body is not only the external body and some surface appearance, but pay more attention to the cultural connotation and aesthetic implication, it emphasizes the relationship between the inner and the outer, Italy, and air force, as well as the overall shape, God, Jin Law, requirements, this is the key to the dancer body language grasp. And when the dancers from the training mix to stage performances for the artistic image, the more comprehensive art expression elements implied with them, the success or not of an image is directly related to the overall level of the work.This paper with body charm of Chinese classical dance from the training to the stage to perform the conversion is a topic, through the body charm of Chinese classical dance from the regularity of extraction to the artistic style attributes, from the aspect of the application of classroom training to the stage performing arts of reflection and exploration.