Viewing And Interpreting——From The "Hand Roll" To See The Time And Space Expression Of Ancient Chinese Narrative Paintings

From the prehistoric period without words,ancestors be used to paint on the rocks and other ways to record the narrative,and it be used to express themselves and record the means of life,with the development of human civilization, the narration becomes more and more varied, and the artistic creation becomes more and more prosperous,so it appeared this "Chinese Painting Long Scroll" painting shape,the shape be the most favorable narrative media of painting,how narrative in the narrow long scroll painting, how to show the story on the scroll, which had to talk about the space.But narrative is full of timeliness,This time can be hold by our direct experience, performance on the screen, timeliness is still there, but we usually say that the art is the art of space, so we will ignore the timeliness of painting.The process of the creation of Chinese traditional painting, space and time is "the transfer of the will of the people",Painter can be different time, different events recorded in a pair of scrolls, making it has the narrative continuity.The three-dimensional space of traditional Chinese painting's expression tends to plane,not affected by the influence of the objective existence and scientific perspective principle,Chinese people with its unique wisdom can express the time and space freely in the picture,this is the charm of Chinese traditional painting.This article will take narrative hand scrolls as the example,tells how the traditional Chinese painting through the hand scroll in the narrative,and the time and space how to present in the picture.Look at the traditional Chinese long scroll painting, no matter characters hand long scroll or landscape long scrolls, that in the picture are reflected in the character or the scenery of the space extension,painters are not confined to the line of sight range to see a person or scene or views,they tend to be more scenes and some kinds of the views of the perspective of reorganizing, finally together into a hand scroll.This expression is bound to show the change of time and space.In this paper, the first part is mainly about narrative in the painting history of presentation, from prehistoric rock paintings to the portrait paintings like a brick to the murals,is all about the narrative, and through the image rendering, until the "roll", narrative in the art of painting found the most suitable carrier, become a moving narrative paintings.In this paper, the second part involves how to use painting long scrolls to narrate, and show the characteristics and advantages.Through to the various historical stages of typical scroll painting are analyzed, discussing the the story line in the picture how to expand and how to behave. Along the unique way of viewing, interact with the viewers, it is also an important factor in hand scroll to complete the narrative.In this paper, the third part from the point of "watch" painting long scrolls viewer frame plot change itself has time characteristics, combined with the viewer watching with dampened, interaction and the visual perception of time feeling, visual in the flow through the passing of time and the new, and narrative to continue in the visual flow, regard as to the beginning and end of time, then show on the roll to achieve a complete process.In this paper, the fourth part are one step closer to "unscramble",Painting is not a mechanical description of the objective things, but joins the painters experience, feelings and thoughts.So we often say "reading" but not "looking at the picture", that is the reason.Similarly,the hand scroll not just stay on the surface of narrative, it is the mix of the author's thoughts,the interaction between time and space is reflected in the picture,which is formed by the picture changes to the plot from the "look" to "read" up to a deep level. Reach the stationary dimensional infuse the sense of life time, to achieve the integration of time and space.View of space-time as a clue, changing a point of view to explore the meaning and connotation of the narrative painting scroll painting, deepen the viewer's experience, expand he viewer to communicate with painter, so that make the viewer into a transcendent spirit world.Through the narrative of “hand scroll” to explore the concept of time-space in traditional Chinese painting, that it is not only to explore painting expression of narrative content, but also to express that in the process of appreciation with the traditional Chinese painting that it is easy for us to ignore some of the problems:the expression of the Chinese state of mind,a spirit from the traditional context,the Chinese people to the universe and life full of admiration and respect of space- time spirit.