The Interpretation And Enlightenment Of The Music Space Of Prometheus

In the 1950 s,by the impact of deconstructionism more and more art forms began to abandon the traditional concept of pre-designed "established intent".The artists began to get rid of structuralist intervention in art.From the music level,with the creation of Schoenberg's Twelve-tone system,music began to enter the era of non-tone.Luigi Nono's last musical "Prometeo" is the culmination of this period.He pursued the perception of the nature of music in the creative process,so he removed the interference in space(the layout of the traditional stage sound source,the traditional way the sound of the opera).He created an auditory landscape attached to the interior of the viewing space.Music,an art that explores the problem in an abstract state,deconstructs the traditional sense of space.This article has been elaborated and analyzed from the aspects of artist background,works content and handling techniques,and summarizes the general significance behind this experimental art phenomenon.At the architectural level,the problems in the modernist design concept of Bauhaus began to emerge.At the same time,postmodernism began to oppose a specific way to inherit the inherent set of ideas.Renzo Piano as a master at the junction of history,the perfect postmodern architectural concept of the victory made a great contribution.Prometeo's Music Space is a summary of the mster's architectural concept.This article summarizes the aesthetic logic behind Piano's architectural design and applies it to practice.To sum up,Prometeo's Music Space is a tunnel leading to the postmodernist architecture,which provides a perfect guidance for exploring the deconstruction between art and architecture under the current technical level.