The Study Of Yuan Zhongdao ’s Landscape Literature

Yuan Zhongdao loves life in landscape.Especially,he loves mist and clouds in the twilight.He mainly spends his life on the failure of the imperial examination,traveling around,taking part in the imperial examination.The landscape poetry is created more with the reasons that he often travels by ship,lives in the mountains,loves mist and clouds in twilight,climbs the mountains.To Yuan Zhongdao,the landscape is no longer a simple pursuit of meaning,but the source of life and the artistic space of life freedom.The landscape literature is not only interesting,beautiful language but also it can attract the readers in his landscape.Therefore,his landscape literature is with artistic appeal.The sincere emotion presents in his landscape literature and the real experience and feeling are expressed in his landscape traveling.In the first chapter,it mainly introduces Yuan Zhongdao’s landscape life and his landscape traveling experience.In his early life,he loved the landscape.His landscape routes focused on the middle and lower reaches of the Yangtze River and Nanjing to make friends in his traveling.In the middle of his life,he spent most of his life on the imperial examination.During this time,he always do the following things which were failing in the imperial examination,traveling around,taking part in the imperial examination and living in seclusion.During this time,his traveling can be regarded as traveling for the failure of the imperial examination.In his later life,Yuan Zhongdao preferred living in the mountain.Because his friends and relatives died gradually.Meanwhile,the literature faction of Gong An had more and more weak influence.Although,he makes success in the imperial examination and becomes an official.He had sinecures as an official.Therefore,in his later life,Yuan Zhongdao spent his life in the landscape and the Buddhism.In the second chapter,it mainly introduces Yuan Zhongdao’s specific landscape literature through the two travel modes including traveling by ship and traveling in the mountains.From the angle of traveling in the mountains,his landscape literature describes singular mountains and grotesque rocks.From the angle of traveling by ship,his landscape literature presents Yuan Zhongdao’s landscape views and landscape attitude.Yuan Zhongdao selects the life way of traveling by ships to mainly escapefrom family bondage,from the failure strike of the imperial examination,from the frequent harming body social activities and from the bad social atmosphere.In the landscape,Yuan Zhongdao can gets comfort and rebirth.In the third chapter,it analyzes Yuan Zhongdao’s art aesthetic views of his landscape literature from the following three aspects of seeking real,change and interest.Change and interest must be based on real.Real is the important characteristic in the literature view of the literature faction of Gong An.Change is a deepening of real to keep real and real himself.Yuan Zhongdao considers that the interest is based on the wisdom.The wisdom is closely linked with interest.People’s wisdom can be interlinked with landscape.Therefore,literati can express their real feeling and make their literature real,changeable and interesting.In the fourth chapter,from the perspective of regional cultural perspective,it mainly analyzes the local geographical features of Buddhist cultural hybridity Hubei and Nanjing in Yuan Zhongdao’s landscape literature.Meanwhile,it introduces the Yuan zhongdao’s landscape literature characteristics of the landscape scenery in north and the regions river of Yangtze River.Furthermore,it analyzes the purpose of human geography in Yuan Zhongdao’s landscape literature.Therefore,Yong Zhongdao’s landscape literature often have the geographical textual research with humanistic characteristics and some allusions of people and geography.It can be seen that he shows off his knowledge and literary talent.But it is an important characteristic that Yuan Zhongdao’s landscape literature is different from other literati from the literature faction of Gong An.