The New Objectivity Art Of Weimar In Germany

The new objectivity was one of the modern Western School of painting in the early twentieth Century.After the end of The First World War,the turbulent German social environment not only affected the people of all classes,but also played an important role in the artists and the artistic environment.The artists of the new objectivity depicted and satirize the objective world with the pungent and satirical strokes,as well as the alienation attitude.From many angles,such as politics and people's livelihood,they revealed the truth under the hypocrisy.Their art works have influenced German Society and art to varying degrees.At the same time,they are also brave to fight the decadent Weimar German Society in an artistic way.This article begins with the historical and artistic background of the birth of the new objectivity,and analyzes the paintings of the three representative artists of the new objectivity,Max Beckman,George Grosz and Otto Dix by sociological methods,and the social background and art of the time of Weimar Germany.Based on the background,this paper explores the relationship between their paintings and the German society at that time,and studies their artistic value and status.The article is divided into three parts.The first part discusses the background and birth of the art of the new objectivity,including the paving and transition of expressionist art.The second part relates the social and historical background of Weimar Germany after the birth of the new objectivity.The method studies its connotation and artistic value;the third part discusses and summarizes the full text from the distinction and contrast between the new objectivity and the expressionism,the advanced nature and the particularity.