| During the Ming and Qing dynasties,the wind of flower arrangement was spread throughout all walks of life.In the history of the development of Chinese flower arrangements,it was also the most representative and most mature flower arrangement art in Ming and Qing Dynasties.The art of flower arrangement in this period not only formed a complete theoretical system of form and beauty in terms of flower arrangement techniques,flower research,and selection of flower materials,but also has relevant literature as a support in appreciation of artistic and spiritual communication.This article will use the textual research method,induction method,and comprehensive research method to comb through the literature on the art of flower arrangement during the Ming and Qing Dynasties,combining the development history of the Chinese flower arrangement art,the special historical and cultural environment of the Ming and Qing Dynasties,and discuss the conclusion.The artistic beauty of the art of flower arrangement during the period provides important reference and inspiration for contemporary people’s aesthetics and life.The first part is "The Ming and Qing Dynasties and Its Prior Flower Arrangement".This section traces the birth of China’s original idea of flower arrangement,outlines the art of flower arrangement before the Ming and Qing Dynasties,and then proceeds to the development background,type and characteristics of flower arrangement,and the relationship with other arts during the Ming and Qing dynasties.Focus analysis to lay the foundation for the in-depth study of the entire paper;The second part is "Formal beauty in the art of flower arrangement in the Ming and Qing Dynasties." Formal beauty refers to the aesthetic characteristics of the natural attributes(colors,shapes,lines,sounds,etc.)and the combination of laws(such as neatness,rhythm,and rhythm)that constitute the physical material of things.This section,through the three sections of the juxtaposition sequence,summarizes the characteristics of the formal aesthetics in the art of the Ming and Qing dynasties.The third part is "Artistic beauty in the art of flower arrangement in the Ming and Qing Dynasties." This section interprets the natural and individualized spirit contained in the art of Ming and Qing dynasty through the three sections of the progressive sequence,and interprets the aesthetic orientation that conforms to the background of its time,in order to fully understand the art of flower arranging in this period. |
