The Beauty Of Artistic Conception About Fine Brushwork Flower

Poetry and painting are two pearls of art in China. After thousands of years of development, they have already formed, such as shadow photograph; they reference to each other and bring out the best. Because of these characteristics, this article takes the artistic conception of poetry as the foothold to make a comparative study on ancient poetry and painting of fine brush, as well as analysis the inner relationship between them. Furthermore, it concludes the aesthetic style in the identical trends of pursuit, the similar aesthetic characteristics and the rule of art to provide a detailed analysis to fine brush painting that embodies the poetry of the beauty of artistic conception so as to embody the value and realistic significance of reflecting the view of "to put poems in the painting"in the fine brush painting.The paper starts with a sentence of Discourse on Landscape Painting by Shi Tao to educe some viewpoints. This chapter mainly introduces the cause of the issue, the research achievements of academic circles, and poetic aesthetics on the enlightenment on this paper. The first chapter mainly analyzes the internal reasons of the combination of poetry and painting, and introduces the premise condition of fusion as well as the creative subjects and the observers of the combination of the importance of poetry to set a stage for sections follow. The second chapter mainly introduces the process of harmony of paintings and poetries and analyzes three kinds of concrete forms of harmony.In chapter three, the author divides the artistic conception of the fine brush painting into five categories:vigorousness, gorgeousness, nature, connotation and strangeness by Si Kong-tu’s twenty-four grades of poetry in Tang Dynasty. Based on analysis of beauty of vigorousness, gorgeousness, nature, connotation and strangeness, the author is willing to decompose the poetic aesthetics characteristics of fine brush paintings.Chapter four mainly analyzes several different perspective of modern poetry painting of the artistic conceptions of and its influence from "rich material","the expansion of representative skills"and"changes of the concept of colors".The conclusion part is an outline of the full text, and provides a more comprehensive understanding on poetic aesthetics of the fine brush painting for providing some references and on following researches and creations of paintings.