Compared With Shao Qin And Erhu

With the development of the erhu culture in twentieth Century after the emergence of a large number of outstanding composers and performers at the same time,because of the emergence of modern works,the erhu above appears more and more new techniques,no matter from the rhythm,tone,and sensitivity to the fingers of the left hand had the new request,not only the traditional single the play,by imitating the violin,erhu playing stringed musical instrument will be pushed to a new era,Shao Qin is such evolved.By the famous erhu Master Mr.Gao Shaoqing on the erhu to improve innovation out by Shao Qin,the representative works of Gao Shaoqing created by Mr.Shao Qin to Mr.George Gao five erhu five erhu Capriccio-homesickness(Capriccio 1),Mongolia Wind(Capriccio two)and TOONMAX(Capriccio Song three),Gobi(Capriccio four),Naxi(Capriccio five),but this is the first of several works are designated tracks big game.The author through the timbre,in concert volume,treble show ability and style,to compare the similarities and differences between the erhu and the Shao qin.Shao Qin as a kind of new folk music in the new era,it is the type of play is very broad,it can not only play the traditional erhu repertoire for western music culture,it is more suitable to the new modernist works play,and be able to compensate for the lack of traditional erhu is very good,in popular music,electroacoustic music,rock music,even a passion can be a good combination,this not only makes the erhu music and playing a more diversified,the erhu and western music is a good combination,can be very good to learn erhu and play the erhu together,the erhu playing,dubbing,a wider road.And feel erhu itself still is very perfect,folk music has a long history and a large number of classic works now need piano intentions to interpret and draw out the essence of Shao Qin in vocalization and in playing the erhu still can not leave,it can only be used as a branch of the erhu to promote the inheritance and development of Erhu the.