Getting Older And Getting Mature Is Making Dullness

Plainness is an important aesthetic concept of Su Shi's poetry.The aesthetic formation of this poetry has a unique evolutionary rule,accompanied by a shallow and deep "study Tao" mentality course.His more than one hundred "He Tao poems" can be said It is a true portrayal of plain aesthetic art.Behind this kind of aesthetic history,it is inseparable from the influence of the aesthetics of the times,the poet's life experience,and the artistic purport.In the background of the ups and downs of the spirit of the poetic beauty of the Northern Song Dynasty,and the atmosphere of the Taoist pottery,the poetry creation of Su Shi also showed an esthetic tendency of pursuing plainness.In his poetry creation which lasted forty-two years,Su Shi summed up his creative experiences as “becoming old and getting mature and making plain”,which is a feature of dynamic development of aesthetic taste.The advancement of this evolutionary process is closely related to the life experience of Su Shi's two “returns” between the “according hall” and “the rivers and lakes”.On the one hand,the transformation of Su Shi's life path has affected his thoughts and mood,and has caused changes in his spiritual world.On the other hand,the changes in Su Shi's inner spirit reflected in the creation of poetry created a dynamic aesthetic interest.From Jiayou to Xining,Su Shi under the guidance of the “Out of the World” pursuit of life,the reality of care as the main content of poetry creation,artistic expression of a bold aesthetic tone.At this time,Su Shi's occasional excitement of returning to the fields and the "Lulu" mentality made Su Shi show her envy and emotion toward Tao Yuanming's pastoral life and opened his aesthetic process of learning Tao.After the "Ukrainian and Taiwanese poetry case," Su Shi was demoted to Huangzhou,and his mental state began to change.He became arrogant,and became introverted and mature.In the cultivating cultivation,he narrowed the distance with Tao Yuanming.His aesthetic taste has emerged a new temperament,and “Chang Dun”has become the main aesthetic experience of this period.In the later years,Su Shi relegated the life experiences of Linghai,which caused him to adopt the plainness as the aesthetic tendency in the later period.Behind the formation of this aesthetic tendency,it reveals the ideological outlook that the poet learns from Tao and enters into a unified form with Tao Yuanming.In the end,in the aesthetic evolution of plainpoetry,Su Shi's emotions are gradually mature and abundant.The plain aesthetic that Su Shi gradually matured in this aesthetic process,whether it is the ideological content or artistic expression,all poetically embodied Su Shi's unique emotional experience.The characteristics of Su Shi's blandness also infiltrated Su Shi's "He Tao poems." Su Shi's "He Tao Poems" is not only consistent with Tao Yuanming's plain art,but also can be his own family.Su Shi has not only developed and developed the concept of dull aesthetics,but also pushed Tao's poetry into a role model for ideal aesthetics.