A Study On The Images Of Vimalakirti;from 5th To 8th Centuries

Vimalakirti Sutra is one of the classics of Mahayana Buddhism,and it has been widely regarded as the main theme of buddhist art.In the course of transmission,the weimo-poetry classic blends with the Chinese culture.Based on the five to the twelfth century the wall image in the process of development and evolution on the comprehensive summary the wall image,detail the kinds of features and cultural connotation evolution,on the basis of in-depth study the wall of the occurrence of this image in China,the transmission,the prosperity and decline process.This paper first discusses the translation of the vermo cross and the creation of the vimose images,and analyzes the introduction of the vermo cross and its image-making process.This paper analyzes the influence of vimose art images on Chinese culture,especially the analysis of different aspects of Chinese culture.Second,on this basis,this paper then discusses five to 12 th-century the wall image of the development and evolution,d the whole first introduce five to twelve century wall image evolution of the basic structure,from clothing,posture,facial detail analysis of the key factors of change,focus on the macro control and inspection of various kinds of painting subjects.Finally,this paper probes into the dimension of the wall in the evolution of the image,from the perspective of sociology and cultural studies,points the aesthetic changes,social culture,religious belief,image type analysis of several aspects,such as overall inductive the wall image the influence factors of evolution.In the case of the whole of the vimoan image system,the five to the twelfth century is an important period for the transformation and maturity of the vimosh images.In this paper,on the basis of abundant historical materials for the system of comb,at five to twelve century d the wall image development as the main line,outline dimension of the wall the spread of classic for significant and positive influence on various aspects of Chinese culture.This article is not limited to the Buddhism,fine arts,and other areas of the individual research d the wall image of the evolution of history,but the place d mo wall change and development of the image on the basis of Chinese culture of macro,comprehensive evaluate the propagation path.In addition,this article focuses on the dimension of the wall images and literary history,and other intricate relations,make this article namely has macroscopic field of vision,but also has a micro of deconstruction,the dimension of the context in the evolution of the wall is clear show in front of the readers.