| The research on the style of painting is the general direction of Chinese painting,especially in the case study of the painter,the Angle and method of exploring the evolution of painting style are diversified.And for a long time,traditional painting has a guiding significance in the study of the theory and research method has formed a certain program,the researchers studies tend to be modeled in the evolution of the paintings,so interdisciplinary data analysis and application for verification in the evolution of the painting style is necessary.In the Ming dynasty,the painting showed a more distinct overall appearance,thanks to the orderly inheritance and integration of the school of painting.Shen Chou is representative of the "wu school",the work is given priority to with landscape,flowers and birds,with the artist's identity at the same time also has attainments in poetry,the author of poetry manuscripts set-"ishida draft",this paper tries to prove the manuscript can be as the main basis of textual research shen Chou landscape painting style evolution,in order to solve some problems in the study of traditional Chinese paintings provide a new reference.Articles in the textual research of the journal ishida draft working basic and based on the adequate number of shen Chou landscape painting works,the total is divided into six parts:the first part is the introduction,narrates the selected topic background and research status quo,research purpose and meaning.Poetry in the second part is about the ishida draft for analysis and research,first of all to ishida draft,"" lushan mountain high give wake Chen temples" as the clue,shen Chou were found in the lushan mountain high ",the original inscription in the content and the agency's creation time inconsistency problem,and according to correct the current on the lushan mountain high creation time and shen Chou loosely gives wide literature by the judge,and then through the analysis on the subject of "farewell"prose explores shen Chou"sink" of thought and "thinking",and illuminates the shen Chou's personality and collected poems in character information generally narrates the shen Chou's friends.The third part is the evolution of research shen Chou landscape painting style,first contact "ishida draft" in shen Chou information landscape painting works,parsing the shen Chou landscape painting style severalkey stages in the process of evolution;Then through the analysis of the characteristics and painting language of shen zhou landscape painting the evolution of shen zhou landscape painting style;Finally,the paper summarizes and sorts out the evolution of the style of shen zhou landscape painting.The fourth part is the cause of shen Chou landscape research,mainly from the environment of politics,philosophy of the Ming dynasty and shen Chou "division" two angles analyzed the causes of shen Chou landscape painting style,and comprehensively in the summary.The fifth part is the preliminary exploration of the thought of shen zhou's painting.Firstly,the paper discusses the painting thought of shen zhou "light" and "lying”.Then it summarized the origin of shen zhou's painting thought and Confucianism,Taoism and Buddhism.In the sixth part,the thesis is summarized and concluded. |
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