| This paper has two research objectives.The first objective is to clear painting stage and understand its mature characteristics by combing Shen Zhou landscape painting.The second objective is to summed up their pen and ink habits,the establishment of landscape painting identification standards,and combined with identification standards and literature to identify of other works,clearing the creation time of no annotations and identifing the work of suspicion.The article is divided into three parts:introduction,text and conclusion.The introduction is divided into the origin of the topic,the research method and the literature review,the origin clearing the meaning of the topic,the research method illustrating the main methods used in the study of this paper,the literature review combsing the research of Shen Zhou's landscape painting.The text is divided into three chapters.The first chapter clears the landscape and characteristics of Shen Zhou landscape painting and calligraphy.Through the analysis,Shen Zhou landscape painting is divided into early,middle and late three,and Calligraphy is divided into two periods.The second chapter clears the landscape painting and calligraphy characteristics of late,establishing the identification criteria.The third chapter is the ldentification practice of Landscape Painting in Late,Including "lying travel Atlas","Cangzhou Fun","Night Sitting","Western Hills Autumn Figure","gift is still ancient landscape books" and "Wuzhong famous map album".This paper focuses on Shen Zhou landscape painting,but calligraphy identification and painting identification are inseparable.So,the text part contains the study of calligraphy.The conclusion part mainly combs the process,clarifiesing the author's understanding of the mature style of ShenZhou landscape painting style in late Dynasty,summarizesing its identification characteristics,and using the identification standard to identify the achievements and shortcomings of other works. |
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