The Study Of Calligraphy And Mohism In The Late Ming Dynasty

The ink method plays a very important role in Chinese calligraphy,just as calligraphy,brushwork and composition are the indispensable factors in calligraphy creation.In the long history of calligraphy,it has always been valued by the book family,from the Wei and Jin Dynasties to the Ming and Qing Dynasties until modern times,from the tender to the mature,from the single to the rich,adding to the calligraphy of endless charm and color.During the late Ming period,social unrest was disturbed and social contradictions were extremely sharp.In this environment,there have been various active thoughts.With the liberation of individuality and the coexistence of pluralism,people have also made tremendous changes in the aesthetics of calligraphy.Influenced by the social background of the late Ming Dynasty,the late Ming Dynasty writers expressed their emotions and expressed their unique personality.Representative scholars include Xu Kai,Dong Qichang,and Wang Xi.These bookers have their own characteristics in their calligraphy works.Whether in brushwork,composition,or ink,they are striving to seek new differences,make a qualitative leap forward in the development of the ink method,and are highly romantic.This article uses Xu Wei,Dong Qichang and Wang Wei as examples to study the late-c.The article is divided into four parts:The first part is an overview of the calligraphy method in the late Ming period.It is divided into the social background of the late Ming period;the development of ink itself and the change of prosperity;the general situation of the development of calligraphic ink,through the contents of the first chapter has a preliminary understanding of the late Ming calligraphy ink method.In the second part,the late Ming Dynasty representatives Xu Wei,Dong Qichang,and Wang Hao were used as examples to illustrate the performance of the ink method in calligraphy.Under the guidance of the homology of paintings,the manual ink painting approached each other and interacted with each other.They used Xu Wei and Dong Qichang as examples;explained the relationship between the ink method and the brush method,and used Xu Wei,Dong Qichang,and Wang Hao as examples to combine works.analysis.The third part points out the reasons that affect the calligraphy of the three late Ming scholars.From the aspects of personal experience andaesthetics;personal emotions;geographical communication and writing materials,it is clear that the application of calligraphy is influenced by internal conditions and external conditions.The fourth part is the influence of late Ming calligraphy on the later generations.They are illustrated by the theoretical and practical aspects of Qing Dynasty respectively;the influence of modern calligraphy on ink is illustrated by the most representative examples of Huang Binhong and Lin Sanzhi.