The Study Of Hu People Image In Popular Novels In Late Ming Dynasty

The hu people is a changeable image group in the history of China,and the history books are also rich in historical records about the hu people.Therefore,the relationship between hu and han has become an important topic in literary works.Tang dynasty is an open dynasty,in which the hu people's image in literary works becomes flourishing.The large number of hu people's image and the variety of it have caused extensive concern of academic circles,and such a novel pattern for the creation of the later generations provides abundant literature materials.And the image of the hu people in late Ming dynasty is more diverse,including the hu merchants,hu monk,hu generals,hu women and so on.Their images are more vivid on the basis of previous literature and mix the era character of the late Ming dynasty.And worth the attention of academia and mining.But for a long time,the academic study of the hu people's images focuses on the Tang dynasty.The study on late Ming dynasty period of the hu people's images is teased relatively isolated and one-sided,lacking of a system and classified work.My article aims at exploring the characteristics of the image in the hu people,on the basis of organizing the popular novels in late Ming dynasty.Meanwhile I also use the method of comparing with former images of the hu people and the mutual evidence method of literature and history to certify the hu people's images with bright colour on Ming dynasty.Through the study of popular novels in the late Ming dynasty,the thesis is divided into four parts:The introduction part of this paper is mainly divided into four sections: the first part is based on the research of the comprehensive academic field,and the basis of this paper is discussed,as well as the research value of this paper.The research achievements of academic circles about the conference semifinals image,but mainly concentrated in the tang five dynasties period,in the popular novels of the late Ming dynasty a batch image conference semifinals,including monk,hu hu,hu will,female,such as hu contains a distinct characteristic of Ming dynasty,but less attention from the academic circle.In late Ming dynasty popular fiction,besides the former generation successor in the image of the conference semifinals,the people to the conference semifinals image depict more development,especially the monk as a representative of the erotic description,hu merchants present a treasure story depict,knowledge treasure story appeared in the new knowledge treasure group "and",hu will his soldiers behind the image contains the author's patriotism,hu female image of female independent consciousness awakening,such as the development of the image is the conference semifinals literati subjective imagination and the product of social reality,the late Ming dynasty,is the important tool of cognitive readers about this period.Compared with the image of hu in the previous generation,the image of hu in this period has undergone tremendous changes and has great research value.The second part set forth the academic research achievements in detail.The academic conference centered on Tang dynasty when talking about the image of hu people,and also combined with the culture characteristics of the tang dynasty to illustrate.However,the academic circles gave less attention about the hu generals and hu female images.In my paper,I realized that those two images are very common in the late Ming dynasty literary works.The research achievements of the academic circle are quite abundant,but there are some defects.The study of scattered fragmentary studies lacks the whole elaboration,and it needs the elaboration of the whole system.The third part and the fourth part,according to the existing academic point of view,combined with the object of this essay,define the notion of "the late Ming dynasty" and "the hu people".such as "the late Ming dynasty" is the period between the Wanli emperor to the Chongzhen emperor.The concept of "hu people " is developing and changeable,and its scope has been expanded.I combine all the definitions about the hu people,and think that advantages of the regional scope of the hu people is to the north and west,and central Asia,southeast Asia,South Asia,west Asia countries and so on.There are three chapters in the main body of the thesis,which are as follows:The first chapter mainly discusses the image of hu monks in popular novels in late Ming dynasty.Removing the hu monks' feelings of compassion,as a physical prowess "pornographic".The hu monk is a product of the Ming dynasty,and the formation of such image is caused by many factors,besides objective social environment influence,the subjective imagination occupy the important position of literati.The images of hu people they presented in literary works are reflections of writers imagination on how to build it.To some extent,they are no longer care about this kind of image is real or not,but pay more personal affection to realize the criticism,education and other social functions.The second chapter uses the story of hu merchants recognition treasure as the breakthrough point.And telling readers that in late Ming,hu chants have two important recognition treasure means: "eye-viewing" and "heart-perceiving".Nevertheless,the two methods seemingly simple but full of rich cultural connotations.At the same time,they fuse the ideas of Confucianism,Buddhism,Taoism etc within the spiritual purport.The image of hu merchants has not only exist in recognition treasure story.But in the other plot description of hu merchants,their images are quite simple,so my article places the center of gravity in recognition treasure story when talking about the hu merchants.Recognition treasure story goes back to ancient times,and becomes a literary motif in the process of continuous development and change of injected new treasure of characters.In popular novels in late Ming dynasty,the mysterious image of hu merchants got heavy hit,not just because the literati themself subjective will in the process of creating the hu merchants,but also determined by the whole era.The rise of China merchants and the policy of the limitation to hu merchants and so on.Varieties of factors have led to a decline in hu merchants status,and they gradually fade out literary vision.Therefore,they are no longer the important literature writing materials.The third chapter mainly elaborates the image of hu generals and hu women,which occupy a lot of space in the popular novels of late Ming dynasty.The creation of such images is not so much a literary creation as the expectation of the literati.In an era when the foreign forces invaded China,the literati who could not afford to vote in class tried their best to use the pen as their own weapon to defend the country,reintroducing the events of the early days in order to motivate the people,Allegory authority.Hu women's image also has a certain foundation.History books recorded their beauty,but also has their services in the history of the evidence in the sex industry etc.But in the literature I have discussed,there are some flair brave,resourceful images,to some extent,reflecting the decline of the times that the author called for the urgent feelings of the hero of salvation.The conclusion part summarizes the four types of hu people characters discussed in this paper: "multi-faceted" hu monks,the hu merchants of the treasure,the scholar "the heavenly kingdom of heaven" hu generals,and the strong and soft hu female.The construction of these four types of hu people has a strong characteristic of the late Ming dynasty and the subjective imagination of the literati.However,with the change of the Times,the alternation of the government,the improvement of people's cognition,etc.The mysterious circle attached to the hu people gradually disintegrated and gradually disappeared into the literary works.