The Aesthetic Characteristic Research Of Du Qifeng’s Film Noir

"Film noir" was first named after critics and was widely used in academic writing,and the filmmakers began talking about it.This term,for most people,means certain types of Hollywood movies,styles,or fashion in the 1940 s and 1950 s.This term is a general overview of the detective and the femme fatale,the gangster and the bloody gunfight.The standard historical narrative says that the "film noir" comes from the United States,which is the result of a combination of hardcore fiction and German expressionism.French film critic boulder and etienne chaumeton further deepening,aesthetic analysis of the film from the themes of the audio-visual elements is transferred to the kernel,began to pay attention to the analysis,parsing the film "noir".The idea that "film noir" creates a sense of loss of control and moral sense is a revelation of the values of capitalism.The americans gradually internalized the self-agonisation of the "black film",which became a genre of Hollywood.Coastal areas in the south of China,Hong Kong,east and west culture collision and the creation of the looser environment,makes the Hong Kong film industry quickly accepted the traditional type of film.By the western culture,the influence of lingnan culture and central plains culture composite Hong Kong audience,more willing to see the critical expressions of human nature always two sides to everything,and shout from the bottom,marginalized characters.It is a huge movie group,after the new wave of Hong Kong director began to police,gangster blowout of creation,the gangster one has thus become the pronoun of Hong Kong films.In many creative teams,Du Qifeng and his galactic image are indispensable forces.Du Qifeng’s unique aesthetic expression for films noir has also been enjoyed by critics and fans.In the festival competition,Johnny’s gangster movies have been a huge success both at home and abroad.A lot of people just rhetoric and few people to deeply research the ideological content,image style.Throughout johnnie To’s film noir,profoundly true,flexible form aesthetic content,unique novel narration,characters and exquisite.His Duchenne black narrative but also for subsequent greatly influence Hong Kong gangster movies,suspense.Johnnie To’s film in black,and the black in the era of Hong Kong gangster movies in general and social context.Based on its social foundation,study of the localization process of all-round,points out its black sex is a gangster film the social foundation,the chivalrous spirit in Chinese traditional jianghu culture and French director Melville film noir style three forces mutual fusion results.For past johnnie To’s film studies,there are only involves duchenne the "violence" and "destiny" in the movie theme.There is only the longitudinal comparison of johnnie To and John woo gangster movie similarities and differences.Some although aware of the "infernal affairs" series clearly under the influence of johnnie To film noir,attention to the record of director of johnnie To film noir study and draw lessons from,but less so for this,the horizontal comparison,in order to highlight johnnie to unique and profound influence on Hong Kong cinema.Strive for a breakthrough,this paper further study of johnnie To film noir,with belt surface,by means of johnnie To film black world of show style,image analysis and the comparison of personal creation stage three aspects to highlight the "black" theme of the film.Thus argumentation duchenne film style and unique value,provide a new perspective to the research of johnnie To’s film.