The Extension Of Natural History Illustration In Contemporary Context

Natural history,as one of the four traditions of natural science research,can be said has an indisputable importance in the construction of the identity of human civilization,and pictorial painting photography technology has not yet come out in the long history,the spread of knowledge through bit by bit To shape the human "self" concept;and with the continuous development of science and technology,we are living in the deepening understanding of the world,coupled with the objective of more and more convenient image production,natural image to complete the "scientific illustration" The transformation becomes an infinitely small subset of the image database.If we carefully observe our own cultural history,we can detect a very secretive and continuous natural history traces,in ancient Chinese culture,this naturalist tradition can be regarded as a world view,to "Meng Xi Bi Tan" "Shan Hai Jing " And " natural history " as the center,showing a " can tolerate the strange power of the natural history of the natural history ",while the cultural circle with the neighbors of Japan,the impact of natural image is free from Confucianism imprisonment,More profound,through the "hundred ghosts night copy" "birds and animals characters" and then to the development of animation and aesthetics,profoundly affected the post-war world culture pattern.At the same time the Western philosophy and science in addition to the Plato tradition(later developed as a mathematical tradition),the Aristotelian tradition(later developed into the tradition of experience or heritage tradition),even from the natural image classification,Of the works of art has always been considered not purely,nor is it a special category in the history of art occupies a special category,but in the Renaissance and other important period can not ignore the status of the position,or even the absolute footnote of its spirit,after the Renaissance The development of the whole western art History also played a very important role in promoting;I believe in the contemporary context,this art form is worth introducing more thought.It can be said that in the modern social career unlimited subdivision and subject specialization circumstances,contemporary artists need a little outdated,encyclopedic natural history experience.Fortunately,there is no lack of contemporary artists to extract nutrients from the image of the case for analysis.Therefore,this paper intends to explore the possible impact of natural image on the East and West painting art and the concrete presentation of the East-West painting under its influence.I will mainly discuss from three parts: First,from the traditional form analysis,The Influence of Natural Image on the Concept of "Image" in the Field of Imageology.Second,from the perspective of "flatness",the concrete presentation of the illustrative painting in the art history of East and West is analyzed.Thirdly,it explores whether the natural image can be combined with the new medium as a form of aesthetics in the context of modern semiotics and provides a new perspective for the development of visual art.