The Contemporary Chinese Oil Painting And Scape In The Study Of The Transformation Of The Object

Oil painting landscape is a long-standing topic,is a college teachers and students must face a compulsory course.It helps us to solve the color,shape,composition and other forms of painting or help us to complete the pre-creation work.Long-term sketching practice and more mature language expression let the writing students become a direct way of artist creation,such a case in the contemporary Chinese landscape study process is not uncommon.In the sketch,the artist is how to transform the art language of the ever-changing image of the artist is the long-term thinking of the beginner and even the experienced artist.Recalling the history of oil painting,from the Renaissance to the post-impression slowly become an independent subject can see its academic value;from Joeljo to Cezanne,Gauguin we clearly see their study of the context of the landscape;from the early Retrospection of the Painting Language in the Contemporary Painters.At home and abroad on the painting landscape painting books are complex,almost contains all aspects of the oil painting landscape,for beginners how to learn the system need to carefully choose,because the formation of the screen language system to study,See you at all.In this paper,the contemporary Chinese oil painting landscape in the study of the transformation of the object as the theme,combined with the landscape of the process of personal experience,the main use of literature research,image research,example research,comparative research and other methods.The article is divided into five parts,the introduction part of the main account of this topic of research status,innovation,research purposes,significance,research methods,research content and article structure.The first chapter first examines what is the landscape painting,what is the difference between it and the landscape creation,to build the concept of oil painting landscape.Secondly,it elaborates on the objects in the subject and briefly discusses thedevelopment of the landscape painting.From the subjective and objective view of the landscape painting,the painter interprets the "real" understanding of the performance image,and analyzes the image of the artist in the art Find the painting language that the painter pays attention to in the sketch.The second chapter focuses on the transformation of the Chinese contemporary landscape painters in the sketch,and summarizes the groups of artists from four aspects,and finds out the regularity: the exploration of the point line;the pursuit of color and decoration;The thinking of the modeling diagram and the reference to the Chinese painting.How did the artist convert the image during the sketch? The author through the real photo and sketch works and combined with the above four aspects of comparative analysis,and make a summary of comments,put forward the advantages and disadvantages.In the third chapter,the author analyzes the reasons of the second chapter,and analyzes the different aspects of the social background and educational experience,the active artistic thinking and the professional characteristics,and the different aesthetic aspects.The tendency of painting language selection.The fourth chapter is based on the study of the first three chapters from the practice of their own language and the painting itself to do a summary,that is,from the contemporary Chinese landscape studies like the study of the conversion of the revelation,such a study for the author is self-art practice to sum up.Finally,because of the persistence of the proposition of the painting landscape,the author puts forward that we have to focus on the painting itself and pay attention to the current humanistic care for the study of this subject.