A Study On The Translation And Creation Of Contemporary Landscape Paintings

Zhuangzi,words:"Heaven and earth have great beauty," is that the horror genre, the author of the essay is often cited, Utah Shangqi Yi gas. Between people of the world, reminding us of scenes Baiju, independent world, with around mountains, four seasons with reason, possession of the wind gas gathering, animism, is of great beauty, no birth and no death, no move is not near, at rivers and lakes Room, Mountain-swimming, put love things outside, or with friends in the forest of the labyrinth tour is making a picture to myself, or with far more than the division track on the Qinghai-Tibet painting Saibei and natural law.Contemporary Landscape Painting article creation and conversion of the title, On the contemporary landscape painting and writing and thinking the author for this problem. Ancient landscape emphasis on "nature outside, in the heart of the source", "good luck" that is natural, "mind the source" that is the heart of the sentiment. "Nature outside, in the heart of the source" that imitate nature, understanding the heart, landscape art is the universe of human thinking, sort of understanding of the natural world, is the spiritual imagination of Heaven is the harmony between man and the world’s. Art comes from imitating nature, natural beauty does not automatically become the beauty of art, for this transformation process, the artist’s emotions and inner structure design is essential, while imitating prominent in nature one of the important ways of painting as painting practice, it is always accompanied by the creation of the landscape affects the development direction of landscape painting, the painting does not just mean the creation of the previous step, but also with the creation of integration. This article will convert contemporary landscape painting and writing as a starting point, from an artistic point of view of self-discipline, the contemporary landscape aesthetic concepts and forms of analysis and comb. The author of the pen and ink sketch from the language of self-creation How to convert? Sketch creative expression of how emotional experience? And personalized language how many presents and many other issues, a comprehensive multi-angle elaborate. And focuses on the creation of the landscape to convert from sketch to describe the set of artistic path of the author and interpretation of self-worth. From the three chapters of the study intends to do this with the creation of contemporary landscape painting sketch conversion.Chapter I:1, from ancient to contemporary landscape painting and writing related theories rake comb, explore the ancient practices of landscape painters painting, sketching process, the artist through keen observation to understanding nature, observe nature, natural extract draw painter painting language; 2, background exposure from contemporary landscape analysis, exploring the possibility of Contemporary Landscape Painting diverse.Chapter 2:The concept of contemporary landscape painting, creative concept to sort out the analysis, to explore the concept of contemporary landscape painting. Explore the concept of landscape painting and creative concept of the unity of two, creating a sketch of the "conscious" painting is unconscious creative process to arrive at sketching and creation are unified, each other’s relationship with the shop.Chapter III:1. how to convert images from the real work of the images as the starting point of inquiry. Famous works of contemporary analysis, the transition from sketch to their specific methods of creation, accordingly to demonstrate the author’s point of view.2, on conversion issues and the creation of self-ink sketch of language be explored. Self-expression language need to carry pen and ink by artist emotion.3, the proposed real images of how mood and painting throughout conversion. From the author’s inner feelings and objective image analysis of exchange and dialogue to explore this angle. Results:the realm of painting through spatial processing, screen blank, scene actual situation, black and white, and brush the speed, severity, urgency, frustrated with the ink dry, wet, thick, pale contrast to the conversion.