The Exploration Of The “Tunes Of Aiai” Genre On Shan Xi Opera

The Chinese traditional opera as the world’s three largest ancient drama only circulates and stage art performance forms,in the country is my lover.Shanxi as the cradle of opera,from the northern song dynasty hole three research laid the biography of yingying finally a cornerstone of opera music form in our country,the important role of verifiable shanxi opera.Even endangered in many different types of the moment,shanxi opera types still accounts for about one of the total in the country.JinJu,as a typical representative of shanxi opera,located at the top of the big four bangzi,originated in the middle period of Ming,striding development under the business support,eventually the audience favorite,prevails in shanxi jinzhong,Shanxi Province,northern shaanxi,Inner Mongolia,parts of the south.On May 20 th,2006,Shanxi Opera approved by the State Council,were placed into the first Non-material cultural heritage name list.Shanxi Opera has won such an unprecedented reputation not only by having a characteristics in singing,performance and rhythm,but also gaves us a great number of outstanding Shanxi Opera performers who devoted themselves in the Shanxi opera.The paper that was described from the artistic career of Aiai Wang,the excellent performance artist of Shanxi opera and The Queen of Shanxi Opera in the beginning,searching information and analyzing,then interviewing Aiai Wang,the opera expert Shixing Guo and the excellent artist of Shanxi opera Lingyun Wu and Lifang Sun actually,so as to further study the feature of the School on the Tunes of Aiai.The paper also focuses on the topic that leads many people especially the young ones to get to know more about The Shanxi opera,take an interest in the Shanxi opera and love the Shanxi opera deeply without losing the tradition.This paper includes six parts: The introduction part which explains the writing purpose and significance,achievements and unsolved problems,research methods and goals and the innovation of this paper.The chapter one narrates the academic career of Wang Aiai nearly seventy years in detail.The second chapter on the basis of interviewing Aiai Wang,drama experts Shixing Guo,outstanding artist of Shan Xi Opera Lingyun Wu,and Lifang Sun sums up the formation and development about the School of “ Tunes of Aiai”.The third chapter analyzes the characteristics of the School of “ Tunes of Aiai”,combining vocal sound mechanism,from the angle of music acoustics,exploring the voice characteristics of “ Tunes of Aiai”.And the chapter four narrated based on the development of “ Tunes of Aiai”,combining with modern Shan Xi Opera Protecting the Sunset and the interview with Xiaodong Wang who is the national level screenwriter and director.For the face of modern society,people should think that how can we inherit and protect our traditional culture without losing its traditional features,and put forward the idea.In the conclusion part,it is the overview for the whole paper,and from the perspective of each of us a music learner,combining with the speech of chair Xi in Art work forum,hoping that contributes a strength to thrive the Chinese nation in its five thousand culture.