Discussion On The Space Of Cursive Script

Zhangcao began in the han,is has close relations with the official script,jincao and style at the same time it is independent of the two important forms.Around zhang cao to explore with the works of ancient,but owing to the mainstream style of the zhang cao is not a practical level,therefore zhangcao style compared with other,slightly niche.At first,this paper studies the origin of zhangcao name,summarizes the definition of four kinds of zhangcao name.And simple introduced the zhangcao from origin to its best again to decline to the four stages of zhangcao Renaissance later.Because this article main research zhangcao of innovation of the space,so the third section is jincao and relationship,let jincao methodicalness cursive script into chapter.The second chapter in the ancient masters,for example.Select zhangcao representative works of famous artists to the analysis of the space and ink,and the difference analysis,explore the new road of zhangcao creation,new,ancient and leather to ink contrast and spatial combination of beauty.In this paper,on the one hand to draw lessons from jincao rhyme font changes,and system with the creation of rhyme,formation and jagged;On the other hand to join the shade of ink is wet,deep and sharp contrast of malapropism.The most important is the pen into the seal character,make zhang cao has a "epigraphy",break the routine of elegant shu lang,finally presents a strong visual effect.With the deepening of the research on zhang cao,although many works of zhang cao systematic interpretation of evolution and development,but on the study of space methodicalness is more rare.Therefore,art of composition ink,the font size to form the space beauty has strong theoretical significance.In composition writing in this paper the lateral combination,dry run of the Eden brings extremely strong aesthetic experience,and enrich and perfect the powerful momentum.Clever and dignified in parallel,in the plane of the formation of space,time and three-dimensional effect.