Research On The Yumeiren Of The Tang And Song Dynasties

On the poetry research,it had mainly concentrated in the construction and the research on the overall melody before,in these years,the scholars’ viewing angle gradually turn to the construction and the research of the single lyrics,especially in recent years,in the history of Ci,the construction and the research of the single lyrics is particularly been concerned,and it has made a series of progress.As the construction of a single tone,it opens a new perspective,which not only injects fresh blood for the study of poetry,and the research on the construction of the whole lyrics also enriches and complements the overall construction,which makes it more detailed and full.From this perspective,this paper identifies the study’s object as the melody of Yumeiren in Tang and Song Dynasties.The paper can be divided into three parts that are introduction,main text and conclusion.The introduction section includes four parts:the study origin,present research situation,research significance,research thought and methods.The conclusion part summarizes the full text.The text is divided into four chapters:The first chapter mainly discusses these problems: the repeated and the wrong ci poetries that appears in the statistics of Yumeiren and as a lyrics,does the corn poppy’s earliest form of the body have double pieces or single piece? As a ci-poetry name,does the“corn poppy”come from? And are the ci-poetry’ aliases from? Questions about the corn poppy’ first form of the body,this paper boldly compliances Dunhuang manuscripts,sees it as a double feature.As the current two sources of ci-poetry name which are relatively popular,the article tends to approve that it comes from historical figure who is a beauty named Concubine Yu.She is Xiang Yu’a favorite concubine.Rther than a biennial herbs called “corn poppy(dancing)grass”.About the alias and origin,it mainly refers to four aspects :quoting from the words,the topic summarized,version and the rest of it.The second chapter mainly regards the corn poppy melody as the main body and discusses these aspects which includes its syntax,art of composition,modes of ancient Chinese music and rhythm from the perspective of Ci.The melody has more “five and seven words ”sentences,and the syntax is flexible,besides,it has various forms on punctuation.In addition,the lyrics has more chapter couplet bodies.In the whole song lyrics,one piece of corn poppy only accounted less than one third,the left are the two and more than two pieces,and they are put together with “and”.Because the melody has only 56 font and 58 font,and it is double tone poem,the whole body is very symmetrical.The melody has three word lattices: 75773,75763,75745.Among them,the word lattice of 75763 is the main one.Questions about modes of ancient Chinese music belongs is more complex.It has Zheng Gong,Zhong Lv Gong,Zhong Lv Diao,Huang Zhong Gong,and so on.A combination of the literature data,we can conclude there is no doubt that it is Zheng Gong,but we don’t know whether it is general to the others or not.The rhythm is lively and the feelings is sad in the whole lyrics.The third chapter will give these 321 words that are the sum of the Late Tang and Five Dynasties and the Song Dynasty according to the times and the creative tendency.It comes to conclusion: the works of Yumeiren in the Late Tang and Five Dynasties focused on writing these beauties who are in the pink boudoirs and their missing and melancholy feelings.In the period of Song Dynasty,the range of word sentiment and lyric subject have increased,the range of word sentiment has been made not only for singing things and expressing feeling,but also it has been made for celebration and painting,and so on.The fourth chapter is the case study,this section selects four representative poets: Feng Yansi,Li Yu,Jiang Jie and Liu Chenweng.The research and analysis is based on the combination of these poets and their ci poetries called Yumeiren.Through these,these poets’ s prominent place can be highlighted in the development of poetry.What’s more,through the horizontal grasp of these poets and their ci poetries,the construction of the whole word history will be pushed into depth,and then the overall perception and grasp of Yumeiren will be more detailed.