An Analysis Of The Historical Materials Of Music In "Guoyu"

In this paper,the use of relevant knowledge of literature,the "national language" in the history of music materials are summarized and analyzed in an attempt to a full range of "Mandarin" in the music literature has a more in-depth study.The paper is divided into three parts: introduction,main body and conclusion.The introduction mainly expounds the purpose and significance of the study of the historical materials of "Guoyu",as well as the research results at home and abroad.The main part includes three chapters,the first chapter,an overview of the "national language",this article from the "national language" of the author,writing time,sources,contents,characteristics and the value of the five aspects of the "national language" works to sort out;the second chapter,the "national language" version and note the music historical materials,firstly "Mandarin" version by comparison,is a version of the "Mandarin" notes were compared,the author thinks that every "Mandarin" version has characteristics,but the academic value of Xu Yuangao is the highest with "Mandarin variorum",the book is not only the Wei Zhao solution "of" Mandarin "Mandarin" annotation content in note form to show the number of words,then explain the five "Mandarin" in music history note in the controversial,with "China music aesthetics history note translation"(Revised Edition)(CAI Zhong De notes the 1990 edition,2007);"spring and Autumn"(gillion anti series music historical translation);"historical Chinese ancient music set"(Hailin repair Series);"Mandarin variorum"(Xu Yuangao);Shanghai ancient books publishing house,1978 edition of the "national language";"the ritual in the Ming Mandarin" > "1935(Ming Daoben);" Mandarin "(1959 select the people's Literature Publishing House);" Mandarin justice "(Dong Zengling);" Mandarin "(four Edition)note the eleven versions are compared,and then access the" ancient Chinese Dictionary ",reading relevant books and documents,check in data,analysis of five controversial interpretations;the third chapter,analysis of" Mandarin "in music history,this part focuses on the part of the thesis,firstly,to" four "to the compilation of" the preparation of China The phrase "for reference" China dibon,historical ancient music collection "(Xiu Hailin Series)," spring and Autumn "(gillion anti series music history,music aesthetics translation)" Chinese history note translation "(Revised Edition)(Cai Zhongde 1990 edition,2007 Edition)the history of music material sorting out of." Mandarin "in the musical materials are summarized,and then for each historical materials from the perspective of Philology of collation,comparison,analysis,and gives the author's point of view.In the conclusion part,the author makes a summary of the main viewpoints of the main body of the text,and then makes a preliminary study on the topic of further research."Mandarin" as the first country Chinese for history,literature is an important pre Qin period,research on music history in the "national language",not only helps us to further understand the characteristics and effects of the late spring and Autumn period of the Western Zhou Dynasty and the development of music,but also increase the "national language" in music theory research results,and the study of "Mandarin" is more perfect.