Integration Of Local Paper Cutting New Year Paintings With Oil Paintings

After nearly 20 years of development in the middle and late 1980 s to the early twenty-first Century,Chinese oil painters have mastered the art of oil painting.China’s contemporary oil painters are getting rid of the shackles of the past,began to pursue their own picture language.New figurative,political pop,gaudy art,the new painting language endless.A lot of people think that Chinese oil painting has not realized the real meaning of Chinese oil painting art language and Chinese traditional culture.In the presence of Chinese excellent traditional culture under the situation of lack,never to China contemporary oil painting and culture integration path,and has been in accordance with the evaluation and selection of Western standards to evaluate the Chinese oil painting works.Therefore,in the art world,there are a number of artists are trying to explore their own oil painting language,the use of folk art images,and give these new meaning of the traditional schema.For the first time in early 80 s,some emphasis on "formal beauty" in the works of artists,borrowed a large number of flying and dancing girls in Tang Yuefu,bronze,Han Dynasty brick of the dragon,image and symbol Ma very form sense.The second was in the middle of the 80 s,in the "85 wave of nationalism" movement,many artists borrowed the style and style of western modern art as a form of artistic creation.The artist in the modern art’s reference and imitation,found that some of the ideas of modern western art to have a convergence with some Chinese folk art spirit,China contemporary art of folk art resources use is becoming more and more common,this is an indisputable fact.These folk song have no intention of "deformation",they are from the original perception of the "true" consciousness to express their heartfelt that works of beauty.Some of the local symbolic elements associated with paper cuts and New Year paintings are reflected in the works of many artists,and these elements are absorbed into the elements of their own creation and reflected.This paper is divided into four chapters to discuss the integration of local paper-cut,New Year paintings and oil painting creation,this paper discusses the status quo of reference and fusion of local China contemporary oil painting,traditional folk paper-cut New Year paintings these symbols;the second part of the art of the traditional paper-cut and traditional New Year paintings are summarized;the third part discusses the contemporary artists of local paper-cut and reference New Year paintings in the painting in the creation and integration;fourth part discusses the fusion of local paper-cut and New Year paintings and innovation of painting in my.