Study On Paper Cutting And New Year Pictures In Lvliang Region During The Anti-Japanese War

Paper-cutting and New Year pictures are common folk arts in Lvliang District.In the process of historical development,paper-cutting and New Year paintings in this area are integrated with local folk activities,thus forming a rich artistic style with strong local features.During the Anti-Japanese War period,paper-cutting and New Year paintings were transformed and used by the Communist Party of China,and the integration of anti-Japanese warfare and revolutionary struggles,which enabled the Chinese Communist Party's revolutionary ideology,the anti-Japanese ideology,and the Communist Party's ideas to be disseminated in the way people loved it,became a powerful tool for propagating the anti-Japanese war culture.It has profoundly affected the people in this area and played a good mobilization effect.Why traditional folk art has become a new carrier for propagating the war of resistance is inseparable from the dissemination of the Chinese Communist Party's revolutionary thinking in the Lvliang region.Since the Red Army's march in 1936,the influence of the CCP in Lvliang has gradually expanded.After the outbreak of the full-scale anti-Japanese war,the Eighth Route Army went to the Lvliang area to carry out enemy rear-side guerrilla warfare,which expanded the influence of the CCP's revolutionary thinking on the local area.In 1940,Mao Zedong's Theory of New Democracy proposed a new democratic cultural program.At the 1942 Yan'an Forum on Literature and Art,Mao Zedong further explained the two fundamental issues of why the literary people serve and how to serve them.Under the guidelines of these literary and artistic principles,artists in Lvliang Prefecture have given new forms and connotations to the paper-cutting and New Year pictures that are well known and loved by the public.They are used to publicize revolutionary ideas,anti-Japanese war ideas,and communist party ideology,thereby urging the public to actively support the Communist Party and support the resistance.It laid the mass foundation for the victory of the Anti-Japanese War.During this period,during the Anti-Japanese War,the paper-cutting and New Year paintings in Lvliang District not only changed greatly in terms of form and content,but also achievedconsiderable development in their creative techniques and artistic forms.The specific construction of the article is as follows:In the first chapter,the paper tries to make a comparison between paper cutting and New Year paintings before the Anti-Japanese War.It contrasts with the new changes in the second chapter of paper-cutting and New Year paintings.Then through the third chapter,the paper explores the causes and new achievements of the paper-cut and New Year painting changes in Lvliang during the Anti-Japanese War.Strive to explore the historical role of the two,and then elucidate the interaction and mutual influence between the CPC in the Lvliang region and the people during the Anti-Japanese War.In addition,the paper-cuts and New Year pictures in Lvliang District are traditional Chinese folk arts and contain rich traditional culture.After the Anti-Japanese War baptism,they also have the character of the times;and the paper-cutting and New Year pictures that have undergone the cultural transformation of the War of Resistance have played for the Chinese Communist Party's war of resistance against the war.Difficult to replace the drum action.