The Research Of Leiyang Folk Songs In Hu Nan

Chinese folk song has a long history and rich artistic heritage,with the rapid development of the knowledge economy,art garden folk songs play a big step,to build bridges between folk songs and popular songs.Leiyang folk songs in Hunan,is an important part of the splendid culture 5000 years of Chinese nation.Leiyang folk songs Hunan are generally short refining,different style,they are people of Leiyang in Hunan contributed to the human spirit and cultural treasure house.Leiyang folk songs have a wide range of topics,rich in content,involving all aspects of social life,the living expression real life in people's innermost feelings aroused waves.Leiyang folk songs is the inevitable result of social development,it represents a different era of Leiyang people's art aesthetic,in inherit and carry forward the national culture,but also reflects the times,showing its unique charm in modern pluralistic music.Leiyang folk forms formed the following: folk songs,work songs,smaller field singing and etc The thesis is a research on folk songs in Leiyang,Hunan province.From the view national voice splendor and national musicology,it itemizes and examine the reason for forming Leiyang trouble culture,its regional character,style of singing as well,and sums up the approach to folk songs in Leiyang.it also discuss the artistic character voice splendor sing.It provide academic reference for further study of folk songs in Leiyang.It offers certificate and eference to practice and heritage national vocality.The Warrants are as follows:The first chapter of Hunan Leiyang folk songs in the growth of cultural and geographical background.Leiyang songs from growth and geographical environment and historical roots Leiyang folk songs in breeding and population structure that these two points describe geographical,cultural environment of song development plays an indispensable role in the production,living life scene is the development and heritage of folk art is the most effective way.Chapter two and three,the thesis introduces Leiyang folk songs in the classification according to the types of literature and musical style and describe the tone,cadence and time.Chapter four,summarize the regional nature of Leiyang of folk songs that have further discuss ballad language,tone and expression of poetry in details.And analyzesthe singing techniques Leiyang folk songs from breathing,vocal Sical resonance nip.It concludes also with music books.serves of unique techniques.Chapter five mentions inheritance and development of Leiyang folk songs.It makes analysis on current situation in the forwarding-sing and proposes to protect and develop folk songs in Leiyang.