A Phenomenon Study On The Fragmentation Of Contemporary Chinese Traditional Opera Communication On WeChat

Chinese Traditional Opera is one of bright pearls of Chinese traditional culture.It has a long history and it is originated from sacrificial activities in primitive society.Chinese Traditional Opera is so popular in the public entertainment activities until the eighties of last century.Chinese Traditional Opera shows different performing forms and communication patterns in its long history.After stepping in the modern period,new information technologies drive the rapid development of media,which not only almost destroyed the traditional paper media,but also impacted the new medias with one-way communication pattern like radio,television and website.Meanwhile,the communication pattern of Chinese Traditional Opera is undergoing profound changes.The traditional communication patterns of Chinese Traditional Opera includes stage communication,paper communication and post-stage communication like radio and television.However,after stepping in the time of new-new media,the communication patterns of Chinese Traditional Opera presents fragmented features on the internet.What should we do with the fragmentation of Chinese Traditional Opera communication in the time of new-new media?This thesis will sort out the characteristics and present situations of the fragmentation of Chinese Traditional Opera communication,and analyze the problems and values of the fragmentation of Chinese Traditional Opera communication based on the case of WeChat public account.Finally,this thesis will propose new methods of the fragmentation of Chinese Traditional Opera communication based on the former research.The thesis is comprised of five chapters.Chapter I firstly defines the related conceptions,and bases on the foreign and domestic studies about fragmentation,it proposes the ideas,methods and innovations of the thesis.Chapter II sorts out the present situations and features of the fragmentation of Chinese Traditional Opera communication based on the Harold Lasswell theory.Chapter III analyzes the classical case of WeChat public account through quantitative analysis.Based on the results of research,the thesis further analyzes the problems and values of the fragmentation of Chinese Traditional Opera communication,which contributes to the objective and comprehensive understanding of the fragmentation of Chinese Traditional Opera communication.Chapter ? proposes new methods of the fragmentation of Chinese Traditional Opera communication based on the Habermas's Inter-subjectivity Theory and the theory of cultural consumption.Chapter ? reviews the history of Chinese Traditional Opera and summarizes the present situations,problems,values and suggestions of the fragmentation of Chinese Traditional Opera communication.