Unresolved Passion-on The Interaction Between Zhu Tianwen’s Fictions And Movies

When people talk about movies,they always talk about the interaction between the film and literature.In the moment,the image culture continues to expand gradually showing the trend of globalization,the interaction between cinema and literature also can not be ignored.Focusing on the development of contemporary Chinese film art.Since the twenties of the twentieth century,the novel theme has been widely applied to the creation of the film media,and there are many films showing the similar literati spirit and cultural meaning with the novel.It is quite interesting that,in the 1960s to 1970s,there was a big discussion about the development of Local Literature in the island of Taiwan.In the later period,Local Literature has greatly affected the direction of the Taiwan films,led the Taiwan movie makers launched a debate on the Taiwan Local Cinema style.In this historical context,the director Hou Hsiao-hsien cooperate with Zhu Tianwen are successfully advanced the collusion of Taiwan film and literature.It is also through the cooperation of they are,we have been able to witness the development and decline of Taiwan New Cinema.At the same time,Zhu Tianwen as a writer to join in writing script,the film media also unknowingly affected her later literary creation style and subject matter changes.In Taiwan literature area,Zhu Tianwen can be described as a striking writer.Although people have made a variety of interpretations of her literary works,but often overlooked an obvious fact-Zhu Tianwen’s screenwriter identity.Zhu Tianwen join the screenwriting work is based on her own fiction "small Bi story" were discovered by Chen Houkun and Hou Hsiao-hsien,Since then,Zhu Tianwen with Hou Hsiao-hsien have cooperation for nearly 30 years,and this experience had a great impact on her ideology and literary creation.This paper tries to start from the relationship between literature and film,with Zhu Tianwen and Hou Hsiao-hsien as the starting point,and elaborates Zhu’s thought and literary creation from the perspective of screenwriter.The first chapter expounds Zhu Tianwen and Hsiao-Hsien Hou movie cooperation basic background.In the 1960s,the Taiwan Local Literature Debate had provided Taiwanese academics with the possibility of writing Local Culture,and accumulated the theoretical basis and the basis of the works for Taiwan New Cinema.By understanding the development of Taiwanese Local Literature and the New Cinema movement in Taiwan,it can reflect the opportunity of cooperation between Zhu Tianwen and Hou Hsiao-hsien,And then on the basis of the two co-operation of the film to sort out the basic classification.The second chapter focuses on the style of Hsiao-Hsien Hou’s film creation.Hou Hsiao-hsien’s film often deliberately dilute the story of the plot,focusing on the edge of the small people living environment,with slow rhythmic narrative featureshe,he is stating the Nobody’s soul and life with the fine and smooth tone tirelessly,so that the film has a tendency to prose.To this end,we from Hou Hsiao-hsien’s literary works of literary aesthetic style for discussion,and then can be observed the Influence of Zhu Tianwen to Hou.The third chapter from the film and literature two different forms of artistic expression to explore the film screen behind the scenes left behind the script content.Known as "the successor of Zhang Ailing",Zhu Tianwen was deeply influenced by the aesthetic style and language style in Zhang Ailing’s novels.As well as under mentor Hu Lan’s the long term Thought nurtured,Zhu Tianwen draw nutrient from the literature and spreading it in the script.According to the above research and discussion,the fourth chapter reexamines Zhu Tianwen’s novel creation.Zhu Tianwen said her own battlefield was" not in the script,but in the novel",script writing work is become a means to support her fiction creation.However,about thirty years of screenwriter experience,the accumulated material also affected to Zhu Tianwen’s novels theme in the future,and her own novel writing skills of the breakthrough is also have traces of the Movie.The interaction between the movie and the novel is rooted in the influence of the film on Zhu Tianwen’s life experience.Literature and film in a different way to enrich the Zhu Tianwen "writing practice",at the same time,the text is also in the process of interaction to be remodeled.